Johann Kuhnau, Hermann Max, Das Kleine Konzert, Rheinische Kantorei made "Kuhnau: Magnificat in C Major: XIII. Chorus. "Sicut locutus est"" available on June 3, 2022. With Kuhnau: Magnificat in C Major: XIII. Chorus. "Sicut locutus est" being less than two minutes long, at 1:15, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 13 out of 50 in Bach, Caldara & Kuhnau: Magnificat by Hermann Max, Das Kleine Konzert, Rheinische Kantorei, Antonio Caldara, Johann Kuhnau, Johann Sebastian Bach. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, Kuhnau: Magnificat in C Major: XIII. Chorus. "Sicut locutus est" is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Kuhnau: Magnificat in C Major: XIII. Chorus. "Sicut locutus est" by Johann Kuhnau, Hermann Max, Das Kleine Konzert, Rheinische Kantorei is Moderato (at a moderate speed), since this song has a tempo of 109 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mass in D Minor: Kyrie: Kyrie I | Johann Adolf Hasse, Mária Zádori, Lena Susanne Norin, Hans-Jörg Mammel, Klaus Mertens, Rheinische Kantorei, Kleine Konzert, Das, Hermann Max | D Major | 2 | 10B | 105 BPM | ||
3e Livre de Sonates à violon seul avec la basse continue, Sonata Quarta: III. Sarabanda | Jean-Baptiste Quentin, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 1 | 4B | 105 BPM | ||
Concerto No. 3 in F Major, Op. 8, RV 293 "L'autunno": II. Adagio molto (With Narrator) | Antonio Vivaldi, Flanders Recorder Quartet, Marion Verbruggen | F♯ Minor | 0 | 11A | 66 BPM | ||
Hamburg Symphony No. 1 in G Major, Wq. 182: I. Allegro di molto | Carl Philipp Emanuel Bach, Arte dei Suonatori, Marcin Świątkiewicz | F♯ Major | 2 | 2B | 136 BPM | ||
Psaume 51 Tilge, Höchster, Meine Sünden, BWV1083, Versus 17-18: Denn du willst kein Opfer haben | Johann Sebastian Bach, Karina Gauvin, Daniel Taylor, Les Violons du Roy, Bernard Labadie | B♭ Major | 1 | 6B | 117 BPM | ||
Membra Jesu Nostri, BuxWV 75, Ad pedes: Aria "Dulcis Jesu, pie Deus" | Dietrich Buxtehude, Ricercar Consort, Philippe Pierlot, Matthias Vieweg | C Minor | 2 | 5A | 90 BPM | ||
Görlitzer Tabulaturbuch: Gelobet seist du, Jesu Christ, SSWV 442a | Samuel Scheidt, Christoph Lehmann | A Major | 0 | 11B | 67 BPM | ||
Alegria | Green Nature | A♭ Major | 1 | 4B | 117 BPM | ||
Sonata in F, TWV 41 F3: I. Andante | Georg Philipp Telemann, Jared Hauser, Christopher Stenstrom, Francis Perry, Polly Brecht | F Minor | 0 | 4A | 125 BPM | ||
Ho vinto, Amor (I) | Tommaso Carapella, Cappella Mediterranea, Leonardo García-Alarcón, Léo Fernique, Valerio Contaldo | B♭ Minor | 0 | 3A | 110 BPM |
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