- BPM
- 125
- Key
- F Minor
- Camelot
- 4A
Sonata in F, TWV 41 F3: I. Andante - Georg Philipp Telemann, Jared Hauser, Christopher Stenstrom, Francis Perry, Polly Brecht Information
- Acousticness
- 64%
- Danceability
- 48%
- Energy
- 2%
- Instrumentalness
- 88%
- Liveness
- 9%
- Loudness
- 48%
- Speechiness
- 3%
- Valence
- 3%
- Popularity
- 1%
- Loudness
- -31.222 dB
Summary
"Sonata in F, TWV 41 F3: I. Andante" by Georg Philipp Telemann, Jared Hauser, Christopher Stenstrom, Francis Perry, Polly Brecht was released on February 12, 2021. The duration of Sonata in F, TWV 41 F3: I. Andante is about two minutes long, specifically at 2:06. This song does not appear to have any foul language. Sonata in F, TWV 41 F3: I. Andante's duration is considered a little bit shorter than the average duration of a typical track. The song is number 1 out of 22 in Fresca Barocca by Various Artists. Based on our statistics, Sonata in F, TWV 41 F3: I. Andante's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Sonata in F, TWV 41 F3: I. Andante BPM
The tempo marking of Sonata in F, TWV 41 F3: I. Andante by Georg Philipp Telemann, Jared Hauser, Christopher Stenstrom, Francis Perry, Polly Brecht is Allegro (fast, quick, and bright), since this song has a tempo of 125 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
Sonata in F, TWV 41 F3: I. Andante Key
This song is in the music key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Orpheus: Act I, Scene 10, "C'est ma plus chère envie" (Aria: Orasia) | Georg Philipp Telemann, Akademie für Alte Musik Berlin, Dorothea Röschmann, René Jacobs | F♯ Minor | 0 | 11A | 131 BPM | |
 | Deuxieme livre, Suite en Mi: X. Tambourin | Jean-Philippe Rameau, Alexander Paley | A Major | 1 | 11B | 130 BPM | |
 | Trio Sonata No. 1 in A Minor: II. Fuga | William Boyce, Simon Standage, Collegium Musicum 90 | A♭ Minor | 1 | 1A | 81 BPM | |
 | Symphony No. 1 in B-Flat Major, Op. 2, "New Year Ode": II. Moderato e dolce | William Boyce, Aradia Ensemble, Kevin Mallon | F♯ Minor | 0 | 11A | 80 BPM | |
 | Concerto Grosso in F Major, Op. 1, No. 7: I. Allegro | Pietro Locatelli, Capella Istropolitana, Jaroslav Krcek | C Major | 3 | 8B | 133 BPM | |
 | Suite Les Indes Galantes / Prologue: 3. Air pour les esclaves africains | Jean-Philippe Rameau, Orchestra Of The 18th Century, Frans Brüggen | F Minor | 2 | 4A | 95 BPM | |
 | Oboe Concerto in C Major, Op. 9, No. 5: III. Allegro | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | C Major | 3 | 8B | 103 BPM | |
 | Mystery (Rosary) Sonata No. 2, "The Visitation": I. — | Heinrich Ignaz Franz von Biber, Sirkka-Liisa Kaakinen, Battalia | A♭ Major | 0 | 4B | 78 BPM | |
 | Violin Concerto in D Minor, Op. 7 No. 1: I. Allegro | Jean-Marie Leclair, Fabio Biondi, Europa Galante | D♭ Minor | 2 | 12A | 173 BPM | |
 | Recorder Sonata No. 12 in G Minor: I. Largo | Francesco Mancini, Dan Laurin, London Baroque | F♯ Minor | 1 | 11A | 90 BPM |
- ISRC
- QM4TW2117731
- Label
- L-M Records/RCA Records
Section: 0.6254243850708008
End: 0.629004955291748