"Ho vinto, Amor (I)" by Tommaso Carapella, Cappella Mediterranea, Leonardo García-Alarcón, Léo Fernique, Valerio Contaldo was released on May 10, 2024. The duration of Ho vinto, Amor (I) is about two minutes long, specifically at 2:23. This song does not appear to have any foul language. Ho vinto, Amor (I)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 2 out of 27 in Amore siciliano by Cappella Mediterranea, Leonardo García-Alarcón. Going off of the ISRC code of this track, we detected that the origin of this track is from France. In terms of popularity, Ho vinto, Amor (I) is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Ho vinto, Amor (I) by Tommaso Carapella, Cappella Mediterranea, Leonardo García-Alarcón, Léo Fernique, Valerio Contaldo is Moderato (at a moderate speed), since this song has a tempo of 110 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
This song has a musical key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Te Deum: VI. Tu ad liberandum | Giovanni Bononcini, Owen Rees, The Choir of The Queen's College Oxford, Academy of Ancient Music | B Minor | 2 | 10A | 71 BPM | ||
Madrigali guerrieri et amorosi, libro otto: Lamento della ninfa, SV 163 | Claudio Monteverdi, Mariana Flores, Valerio Contaldo, Mathias Vidal, Philippe Favette, Cappella Mediterranea, Leonardo García-Alarcón | F♯ Minor | 0 | 11A | 174 BPM | ||
Stabat Mater in G Minor: II. O quam tristis | Frantisek Tuma, Collegium 1704, Collegium vocale 1704, Vaclav Luks | D♭ Minor | 1 | 12A | 107 BPM | ||
Mori, mi dici (I) | Alessandro Scarlatti, Cappella Mediterranea, Leonardo García-Alarcón, Ana Vieira Leite, Mariana Flores, Léo Fernique, Valerio Contaldo, Matteo Bellotto | B♭ Minor | 0 | 3A | 110 BPM | ||
Rossi: Il palazzo incantato, Prologue: "Vaghi rivi" (Pittura) | Luigi Rossi, Christina Pluhar, Véronique Gens | G Minor | 1 | 6A | 109 BPM | ||
Buxtehude: Membra Jesu nostri, BuxWV 75: III. Ad manus. "Quid sunt plagae istae" | Dietrich Buxtehude, Ton Koopman, Barbara Schlick, Monika Frimmer, Michael Chance, Christoph Prégardien, Peter Kooij, Knabenchor Hannover, Amsterdam Baroque Orchestra | D Major | 1 | 10B | 130 BPM | ||
Mercè! Grido piangendo | Sigismondo D'India, Cappella Mediterranea, Leonardo García-Alarcón, Ana Vieira Leite, Mariana Flores, Léo Fernique, Valerio Contaldo, Matteo Bellotto | B♭ Minor | 0 | 3A | 110 BPM | ||
Zableyalo mi agance | Traditional, Sonya Yoncheva, Leonardo García-Alarcón, Cappella Mediterranea | D Major | 0 | 10B | 88 BPM | ||
Occhi miei lassi, mentre ch’io vi giro | Jacques Arcadelt, Cappella Mediterranea, Leonardo García-Alarcón | D♭ Minor | 0 | 12A | 106 BPM | ||
Hor che'l ciel e la terra e'l vento tace, SV 147 | Claudio Monteverdi, Cappella Mediterranea, Leonardo García-Alarcón | A Minor | 1 | 8A | 86 BPM |
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