"Mori, mi dici (I)" by Alessandro Scarlatti, Cappella Mediterranea, Leonardo García-Alarcón, Ana Vieira Leite, Mariana Flores, Léo Fernique, Valerio Contaldo, Matteo Bellotto was released on May 10, 2024. With Mori, mi dici (I) being less than two minutes long, at 1:16, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 23 out of 27 in Amore siciliano by Cappella Mediterranea, Leonardo García-Alarcón. Going off of the ISRC code of this track, we detected that the origin of this track is from France. In terms of popularity, Mori, mi dici (I) is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Mori, mi dici (I) by Alessandro Scarlatti, Cappella Mediterranea, Leonardo García-Alarcón, Ana Vieira Leite, Mariana Flores, Léo Fernique, Valerio Contaldo, Matteo Bellotto is Moderato (at a moderate speed), since this song has a tempo of 110 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
B♭ Minor is the music key of this track. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Circé, Prologue Scene 2: Gigue pour les Nymphes et les Dieux des eaux | Henri Desmarets, Boston Early Music Festival Orchestra, Robert Mealy | C Major | 1 | 8B | 100 BPM | ||
F7.15: Se l'aura Spira Tutta Vezzosa | Girolamo Frescobaldi, Musica Sequenza, BURAK, Diana Ramirez | F♯ Minor | 1 | 11A | 75 BPM | ||
O di Betlemme altera: 2. Recitativo: O di Betlemme altera - 3. Aria: Dal bel seno d'una stella | Alessandro Scarlatti, Nancy Argenta, The English Concert, Trevor Pinnock, Peter Hanson, Walter Reiter, Trevor Jones, Jane Coe, Peter McCarthy | D♭ Major | 1 | 3B | 84 BPM | ||
Te Deum: XI. Miserere nostri | Giovanni Bononcini, Owen Rees, The Choir of The Queen's College Oxford, Academy of Ancient Music | B Minor | 2 | 10A | 71 BPM | ||
Gluck: Orfeo ed Euridice, Wq. 30, Act 1: "Ah se intorno a quest'urna funesta" (Coro) | Christoph Willibald Gluck, Stefan Plewniak, Il Giardino d'Amore Choir, Il Giardino d'Amore | D♭ Major | 3 | 3B | 129 BPM | ||
Il giardino di rose: "Mentre io godo" | Alessandro Scarlatti, Cecilia Bartoli, Les Musiciens du Louvre, Marc Minkowski | B Minor | 0 | 10A | 111 BPM | ||
Armide, LWV 71, Act III Scene 1: Ah ! Si la liberté (Armide) | Jean-Baptiste Lully, Vincent Dumestre, Le Poème Harmonique, Stéphanie D'Oustrac | F Major | 1 | 7B | 139 BPM | ||
Psyche, Act I Scene 1: Dance for Ambition, Power, Plenty and Peace | Matthew Locke, Ensemble Correspondances, Sébastien Daucé | D♭ Major | 1 | 3B | 122 BPM | ||
Te Deum: VII. Tu ad dexteram Dei sedes | Giovanni Bononcini, Owen Rees, The Choir of The Queen's College Oxford, Academy of Ancient Music | B Minor | 2 | 10A | 71 BPM | ||
Die Himmel erzählen die Ehre Gottes, Op.11, No.18, SWV 386 | Heinrich Schütz, Capella De La Torre, Bavarian Radio Chorus, Katharina Bauml, Florian Helgath | G Major | 1 | 9B | 93 BPM |
Section: 0.6385233402252197
End: 0.6422476768493652