Henri Desmarets, Boston Early Music Festival Orchestra, Robert Mealy's 'Circé, Prologue Scene 2: Gigue pour les Nymphes et les Dieux des eaux' came out on May 31, 2023. With Circé, Prologue Scene 2: Gigue pour les Nymphes et les Dieux des eaux being less than two minutes long, at 1:09, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 13 out of 110 in Desmarest: Circé by Henri Desmarets, Boston Early Music Festival Orchestra, Boston Early Music Festival Chorus, Paul O'Dette, Stephen Stubbs. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, Circé, Prologue Scene 2: Gigue pour les Nymphes et les Dieux des eaux is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Circé, Prologue Scene 2: Gigue pour les Nymphes et les Dieux des eaux by Henri Desmarets, Boston Early Music Festival Orchestra, Robert Mealy is Andante (at a walking pace), since this song has a tempo of 100 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Recueil de plusieurs belles pièces de simphonies: Bransle de Mr de Luly / Bransle guay / Bransle à mener | Jean-Baptiste Lully, Les Musiciens De Saint-Julien, François Lazarevitch | B♭ Major | 2 | 6B | 113 BPM | ||
Pavane d'Angleterre – Galliarde - 6. Livre de Danceries - Branles de Pictou - 5. Livre de Danceries | İzmir Barok | D♭ Minor | 4 | 12A | 121 BPM | ||
Marais: Pièces en trio: Suite No. 5 en mi mineur: X. Passacaille | Marin Marais, Ensemble Amalia | E♭ Minor | 2 | 2A | 118 BPM | ||
Sonata terza a violoncello solo e basso continuo: III. Largo | Giovanni Benedetto Platti, Hanna Salzenstein, Thibaut Roussel, Albéric Boullenois | D♭ Minor | 6 | 12A | 157 BPM | ||
Christ lag in Todesbanden: I. Sonata | Johann Kuhnau, Paul Agnew, Les Arts Florissants | E Major | 4 | 12B | 101 BPM | ||
Circe: XL. Acte Second. Ah ! c’est trop retenir mes pleurs | Henri Desmarets, Boston Early Music Festival Orchestra, Paul O'Dette, Stephen Stubbs, Teresa Wakim | C Minor | 0 | 5A | 101 BPM | ||
Te Deum "de Lyon": IV. Te martyrum candidatus laudat exercitus | Henri Desmarets, Ensemble les Surprises, Louis-Noël Bestion de Camboulas | B♭ Major | 4 | 6B | 106 BPM | ||
Circe: VII. Sous les augustes lois du Vainqueur de la Terre | Henri Desmarets, Boston Early Music Festival Orchestra, Paul O'Dette, Stephen Stubbs, Boston Early Music Festival Chorus | C Minor | 0 | 5A | 101 BPM | ||
Antiochus und Stratonica, Act I Scene 6: March | Christoph Graupner, Boston Early Music Festival Orchestra, Paul O'Dette, Stephen Stubbs | C Major | 1 | 8B | 169 BPM | ||
Antiochus und Stratonica, Act I Scene 2: Wir stellen uns auf deine Ladung ein | Christoph Graupner, Harry Van Der Kamp, Sunhae Im, Aaron Sheehan, Jan Kobow, Boston Early Music Festival Orchestra, Paul O'Dette, Stephen Stubbs | B♭ Major | 1 | 6B | 168 BPM |
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