Henri Desmarets, Boston Early Music Festival Orchestra, Paul O'Dette, Stephen Stubbs, Teresa Wakim's 'Circe: XL. Acte Second. Ah ! c’est trop retenir mes pleurs' came out on May 31, 2023. The duration of Circe: XL. Acte Second. Ah ! c’est trop retenir mes pleurs is about two minutes long, specifically at 2:22. This song does not appear to have any foul language. Circe: XL. Acte Second. Ah ! c’est trop retenir mes pleurs's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Henri Desmarets, Boston Early Music Festival Orchestra, Boston Early Music Festival Chorus, Paul O'Dette, Stephen Stubbs's "Henry Desmarest: Circé" album is number 40 out of 110. On top of that, Germany appears to be the country where this track was created. In terms of popularity, Circe: XL. Acte Second. Ah ! c’est trop retenir mes pleurs is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Circe: XL. Acte Second. Ah ! c’est trop retenir mes pleurs by Henri Desmarets, Boston Early Music Festival Orchestra, Paul O'Dette, Stephen Stubbs, Teresa Wakim to be Andante (at a walking pace) because the track has a tempo of 101 BPM, a half-time of 50BPM, and a double-time of 202 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pasión: Vere Languóres. Alto Solo. | Anónimo, Ensamble Moxos, Raquel Maldonado | D♭ Minor | 4 | 12A | 89 BPM | ||
Missa Divi Xaverii, ZWV 12: Christe eleison | Jan Dismas Zelenka, Hana Blaziková, Collegium 1704, Vaclav Luks | F♯ Minor | 3 | 11A | 171 BPM | ||
Beatus vir, ZWV 75: Gloria Patri - After Psalm 111 | Jan Dismas Zelenka, Adam Viktora, Inégal Ensemble, Prague Baroque Solists | A♭ Minor | 1 | 1A | 103 BPM | ||
Theodora, HWV 68, Pt. I: Chorus. And Draw A Blessing Down | George Frideric Handel, Arcangelo, Jonathan Cohen | D♭ Minor | 1 | 12A | 75 BPM | ||
Circé, Prologue Scene 2: Gigue pour les Nymphes et les Dieux des eaux | Henri Desmarets, Boston Early Music Festival Orchestra, Robert Mealy | C Major | 1 | 8B | 100 BPM | ||
Circe: II. Fuyons, fuyons une Guerre sanglante | Henri Desmarets, Boston Early Music Festival Orchestra, Paul O'Dette, Stephen Stubbs, Boston Early Music Festival Chorus | C Minor | 0 | 5A | 101 BPM | ||
Te Deum "de Lyon": XI. Te ergo quæsumus famulis tuis subveni | Henri Desmarets, Ensemble les Surprises, Louis-Noël Bestion de Camboulas | B♭ Major | 4 | 6B | 106 BPM | ||
When Saul was king: IV. All the night she weepeth sore | Giovanni Bononcini, Owen Rees, The Choir of The Queen's College Oxford, Helen Charlston, Academy of Ancient Music | E Minor | 0 | 9A | 111 BPM | ||
Actéon, H. 481, Scene I: Allons, marchons, courons | Marc-Antoine Charpentier, Les Arts Florissants, William Christie | D♭ Major | 4 | 3B | 152 BPM | ||
Le Carnaval du Parnasse, Prologue Scene 4: Récit & Chœur. Célébrons le Printemps (un Berger, chœur) | Jean-Joseph Cassanéa De Mondonville, Mathias Vidal, Les Ambassadeurs ~ La Grande Écurie, Alexis Kossenko, Chœur De Chambre De Namur | F Minor | 4 | 4A | 141 BPM |
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