Jan Dismas Zelenka, Adam Viktora, Inégal Ensemble, Prague Baroque Solists made "Beatus vir, ZWV 75: Gloria Patri - After Psalm 111" available on November 26, 2015. With Beatus vir, ZWV 75: Gloria Patri - After Psalm 111 being less than two minutes long, at 1:00, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Jan Dismas Zelenka, Adam Viktora, Inégal Ensemble, Prague Baroque Solists's "Jan Dismas Zelenka: Psalmi Vespertini I" album is number 16 out of 29. On top of that, Czechia appears to be the country where this track was created. In terms of popularity, Beatus vir, ZWV 75: Gloria Patri - After Psalm 111 is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Beatus vir, ZWV 75: Gloria Patri - After Psalm 111 by Jan Dismas Zelenka, Adam Viktora, Inégal Ensemble, Prague Baroque Solists to be Andante (at a walking pace) because the track has a tempo of 103 BPM, a half-time of 52BPM, and a double-time of 206 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of A♭ Minor. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Kuhnau: Magnificat in C Major: V. Chorus. "Quia fecit" | Johann Kuhnau, Hermann Max, Das Kleine Konzert, Rheinische Kantorei | D♭ Major | 2 | 3B | 109 BPM | ||
Requiem in C Minor: I. Requiem | Jan Dismas Zelenka, Brigitte Fournier, Brigitte Balleys, Kenzo Ishii, Niklaus Tüller, Berne Chamber Chorus, Jörg Ewald Dähler, Berne Chamber Orchestra | A Major | 1 | 11B | 110 BPM | ||
Nach dir, Herr, verlanget mich, BWV 150: II. Coro "Nach dir, Herr, verlanget mich" | Johann Sebastian Bach, Paul Agnew, Les Arts Florissants | E Major | 4 | 12B | 101 BPM | ||
Il diluvio universale, Act I "In Cielo": O Giustizia Divina | Michelangelo Falvetti, Leonardo García-Alarcón, Chœur De Chambre De Namur, Cappella Mediterranea | A♭ Minor | 0 | 1A | 124 BPM | ||
Passionsoratorium, BWV Anh. 169 (Reconstructed by Alexander Grychtolik), Pt. II: No. 21. Recitativ, "Wie sieht dein Haar" (Zion) | Johann Sebastian Bach, Christian Friedrich Henrici, Il Gardellino, Alexander Grychtolik, Miriam Feuersinger | A♭ Minor | 2 | 1A | 96 BPM | ||
Exaudiat te Dominus, LWV 77 No. 15: VII. Domine, salvum fac regem | Jean-Baptiste Lully, Stephane Fuget, Les Épopées, Les Pages & Les Chantres du Centre de Musique Baroque de Versailles | B♭ Major | 6 | 6B | 94 BPM | ||
Les fêtes d'Hébé, RCT 41, Act I Scene 3: En vain contre Thélème | Jean-Philippe Rameau, Chantal Santon Jeffery, Orfeo Orchestra, Gyorgy Vashegyi | E♭ Major | 0 | 5B | 99 BPM | ||
Stabat Mater, P. 77: IX. Sancta Mater | Giovanni Battista Pergolesi, Shira Patchornik, Maarten Engeltjes, PRJCT Amsterdam | F♯ Minor | 2 | 11A | 101 BPM | ||
Laudate pueri, HWV 237: IV. Excelsus super omnes | George Frideric Handel, Carolyn Sampson, Akademie für Alte Musik Berlin, Justin Doyle | D♭ Major | 2 | 3B | 108 BPM | ||
Psyche, Act V Scene 3: Rustick musick of Mænades & Ægipanes | Matthew Locke, Ensemble Correspondances, Sébastien Daucé | A♭ Major | 3 | 4B | 120 BPM |
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