"Te Deum: XI. Miserere nostri" by Giovanni Bononcini, Owen Rees, The Choir of The Queen's College Oxford, Academy of Ancient Music was released on May 24, 2024. With Te Deum: XI. Miserere nostri being less than two minutes long, at 1:18, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Giovanni Bononcini, Owen Rees, The Choir of The Queen's College Oxford, Academy of Ancient Music's "How Are The Mighty Fallen: Choral Music by Giovanni Bononcini" album is number 12 out of 27. On top of that, United Kingdom appears to be the country where this track was created. Te Deum: XI. Miserere nostri is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Te Deum: XI. Miserere nostri by Giovanni Bononcini, Owen Rees, The Choir of The Queen's College Oxford, Academy of Ancient Music to be Adagio (slowly with great expression) because the track has a tempo of 71 BPM, a half-time of 36BPM, and a double-time of 142 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Kuhnau: Magnificat in C Major: V. Chorus. "Quia fecit" | Johann Kuhnau, Hermann Max, Das Kleine Konzert, Rheinische Kantorei | D♭ Major | 2 | 3B | 109 BPM | ||
King Arthur, Z. 628, Act V: Fairest Isle | Henry Purcell, Rachel Redmond, Peter Whelan, Irish Baroque Orchestra | A Major | 0 | 11B | 76 BPM | ||
Missa S. Marcellini: XXI. Amen - Live at Melk Abbey, 6/10/2000 | Johann Beer, Franz Raml | D♭ Major | 2 | 3B | 82 BPM | ||
4 Hölderlin-Fragmente: No. 4, Ihr wandelt droben im Licht | Friedrich Cerha, SWR Vokalensemble Stuttgart, Marcus Creed | F♯ Minor | 1 | 11A | 141 BPM | ||
Stetit Angelus | Rihards Dubra, The Choir of The Queen's College Oxford, Owen Rees | A Minor | 1 | 8A | 78 BPM | ||
Missa Popularis: III. Credo | Mårten Jansson, Chantage, Classical Pop-Ups Strings, James Davey | F Major | 1 | 7B | 73 BPM | ||
Cantiones sacræ, Op. 4, SWV 53-93: No. 6, Psalm Domine, ne in furore tuo arguas me, SWV 85 | Heinrich Schütz, Ricercar Consort, Philippe Pierlot, Hanna Bayodi-Hirt, Yetzabel Arias, Olivier Coiffet, Hugo Hymas, Matthias Vieweg | G Minor | 2 | 6A | 117 BPM | ||
Non posso disperar | Giovanni Bononcini, Holly Bewlay, Sarah Rhee | F Minor | 1 | 4A | 174 BPM | ||
Mass in B Minor, BWV 232: Gloria: 9. Qui tollis peccata mundi | Johann Sebastian Bach, Collegium Vocale Gent, Philippe Herreweghe | B♭ Minor | 1 | 3A | 103 BPM | ||
Petite messe solennelle: V. Gloria. Et in terra pax hominibus | Gioachino Rossini, Giulio Prandi, Coro Ghislieri, Sandrine Piau, José Maria Lo Monaco, Edgardo Rocha, Christian Senn, Francesco Corti, Deniel Perer | G Major | 1 | 9B | 102 BPM |
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