Te Deum: VI. Tu ad liberandum - Giovanni Bononcini, Owen Rees, The Choir of The Queen's College Oxford, Academy of Ancient Music Information

Acousticness: 98%
Danceability: 24%
Energy: 19%
Instrumentalness: 0%
Liveness: 33%
Loudness: 75%
Speechiness: 3%
Valence: 18%
Popularity: 0%
Loudness: -14.815 dB

Summary

"Te Deum: VI. Tu ad liberandum" by Giovanni Bononcini, Owen Rees, The Choir of The Queen's College Oxford, Academy of Ancient Music had its release date on May 24, 2024. With This song being less than two minutes long, at 1:51, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Giovanni Bononcini, Owen Rees, The Choir of The Queen's College Oxford, Academy of Ancient Music's "How Are The Mighty Fallen: Choral Music by Giovanni Bononcini" album is number 7 out of 27. On top of that, United Kingdom appears to be the country where this track was created. Te Deum: VI. Tu ad liberandum is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Te Deum: VI. Tu ad liberandum BPM

We consider the tempo marking of Te Deum: VI. Tu ad liberandum by Giovanni Bononcini, Owen Rees, The Choir of The Queen's College Oxford, Academy of Ancient Music to be Adagio (slowly with great expression) because the track has a tempo of 71 BPM, a half-time of 36BPM, and a double-time of 142 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.

Te Deum: VI. Tu ad liberandum Key

This song is in the music key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Semiramide, RV 733: Con la face di Megera	Antonio Vivaldi, Miho Fukui, Dominik Worner, Ensemble F	F♯ Minor	6	11A	157 BPM
Kuhnau: Magnificat in C Major: I. Chorus. "Magnificat"	Johann Kuhnau, Hermann Max, Das Kleine Konzert, Rheinische Kantorei	D♭ Major	2	3B	109 BPM
Te Deum: XI. Miserere nostri	Giovanni Bononcini, Owen Rees, The Choir of The Queen's College Oxford, Academy of Ancient Music	B Minor	2	10A	71 BPM
Was für ein jauchzendes Gedränge, TWV 1:1509: No. 9, Ei, meine Perl, du werte Kron	Georg Philipp Telemann, Hanna Herfurtner, Carola Gunther, Mirko Ludwig, Fabian Strotmann, Peter Kooij, Kölner Akademie, Michael Alexander Willens	F♯ Major	1	2B	66 BPM
Requiem in C Minor: II. Graduale	Luigi Cherubini, Kammerchor Stuttgart, Hofkapelle Stuttgart, Frieder Bernius	D♭ Major	3	3B	114 BPM
Purcell: The Fairy Queen, Z. 629, Act II. Song. "One Charming Night"	Henry Purcell, Amsterdam Baroque Orchestra, Ton Koopman, Geraint Rogers	B Minor	0	10A	78 BPM
Ave Maria	John Taverner, Contrapunctus, The Choir of The Queen's College Oxford, Owen Rees	F Major	2	7B	134 BPM
Stabat Mater in G Minor: VII. Sancta Mater	Frantisek Tuma, Collegium 1704, Collegium vocale 1704, Vaclav Luks	B Minor	0	10A	57 BPM
Requeim in C Minor, ZWV. 48: Kyrie - II	Jan Dismas Zelenka, Il Fondamento, Il Fondamento Choir, Monika Frimmer, Paul Dombrecht	D♭ Minor	2	12A	86 BPM
In te Domine speravi	John Mundy, Contrapunctus, Owen Rees, Alice Hulett, Ruth Provost, David Gould	B Minor	2	10A	128 BPM

ISRC: GBLLH2490507
Label: L-M Records/RCA Records