Johann Kuhnau, Hermann Max, Das Kleine Konzert, Rheinische Kantorei made "Kuhnau: Magnificat in C Major: I. Chorus. "Magnificat"" available on June 3, 2022. With Kuhnau: Magnificat in C Major: I. Chorus. "Magnificat" being less than two minutes long, at 1:41, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 1 out of 50 in Bach, Caldara & Kuhnau: Magnificat by Hermann Max, Das Kleine Konzert, Rheinische Kantorei, Antonio Caldara, Johann Kuhnau, Johann Sebastian Bach. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, Kuhnau: Magnificat in C Major: I. Chorus. "Magnificat" is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Kuhnau: Magnificat in C Major: I. Chorus. "Magnificat" by Johann Kuhnau, Hermann Max, Das Kleine Konzert, Rheinische Kantorei is Moderato (at a moderate speed), since this song has a tempo of 109 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Bach, JS: Magnificat in E-Flat Major, BWV 243a: V. Chorus. "Omnes generationes" | Johann Sebastian Bach, Hermann Max, Das Kleine Konzert, Rheinische Kantorei | D Major | 2 | 10B | 119 BPM | ||
Der Sieg des Glaubens, Op. 157, Pt. 1: Euer Glaube ist uns Spott | Ferdinand Ries, Rheinische Kantorei, Das Kleine Konzert, Hermann Max | A Major | 4 | 11B | 138 BPM | ||
Motetto de S. Joanne Baptista: III. Coro. Alleluia | František Tůma, Andreas Scholl, Czech Ensemble Baroque, Roman Válek | B Major | 2 | 1B | 83 BPM | ||
Requeim in C Minor, ZWV. 48 | Jan Dismas Zelenka, Il Fondamento, Il Fondamento Choir, Paul Dombrecht | E Major | 1 | 12B | 118 BPM | ||
Overture in A Major, FaWV K:A3: II. Aria andante | Johann Friedrich Fasch, Das Kleine Konzert, Hermann Max | F♯ Minor | 0 | 11A | 89 BPM | ||
Amphitryon, Z. 572, "The 2 Sosias": A Pastoral Dialogue Betwixt Thrsis and Iris (Bass, Soprano) | Henry Purcell, Andrea Jeffrey, Michelle Kettrick, Nicole Bower, Giles Tomkins, Aradia Ensemble, Kevin Mallon | A Major | 0 | 11B | 130 BPM | ||
Giob, Pt. 2: Questi è Giob | Carl Ditters von Dittersdorf, Rheinische Kantorei, Das Kleine Konzert, Hermann Max | D Major | 3 | 10B | 140 BPM | ||
Elijah, Op. 70: "Blessed Are the Men Who Fear Him" (Chorus) | Felix Mendelssohn, Gabrieli, William Whitehead, Paul McCreesh | G Major | 2 | 9B | 124 BPM | ||
Ode for the Birthday of Queen Anne: Ode for the Birthday of Queen Anne: II. Solo e Coro "The day that gave great Anna birth" | George Frideric Handel, Akademie für Alte Musik Berlin, Marcus Creed, Vocalconsort Berlin, Andreas Scholl | D♭ Major | 3 | 3B | 96 BPM | ||
Herz und Mund und Tat und Leben, BWV 147: Aria: Bereite dir, Jesu, noch itzo die Bahn (Soprano) | Johann Sebastian Bach, Ingrid Kertesi, Jozsef Mukk, Judit Nemeth, Istvan Gati, Hungarian Radio Chorus, Budapest Failoni Chamber Orchestra, Matyas Antal | C Major | 4 | 8B | 88 BPM |
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