Johann Sebastian Bach, Hermann Max, Das Kleine Konzert, Rheinische Kantorei's 'Bach, JS: Magnificat in E-Flat Major, BWV 243a: V. Chorus. "Omnes generationes"' came out on January 1, 1998. With Bach, JS: Magnificat in E-Flat Major, BWV 243a: V. Chorus. "Omnes generationes" being less than two minutes long, at 1:09, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 5 out of 29 in Bach: Magnificat, BWV 243 - Vivaldi: Gloria, RV 589 by Sir Neville Marriner, Hermann Max, Academy of St. Martin in the Fields. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, Bach, JS: Magnificat in E-Flat Major, BWV 243a: V. Chorus. "Omnes generationes" is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Bach, JS: Magnificat in E-Flat Major, BWV 243a: V. Chorus. "Omnes generationes" by Johann Sebastian Bach, Hermann Max, Das Kleine Konzert, Rheinische Kantorei is Moderato (at a moderate speed), since this song has a tempo of 119 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Kinderszenen, Op. 15: 7. Träumerei | Robert Schumann, Martha Argerich | F Major | 0 | 7B | 130 BPM | ||
Overture in D Minor, TWV 55:2: Menuet II. Doucement | Georg Philipp Telemann, Collegium Instrumentale Brugense, Patrick Peire | F Major | 0 | 7B | 126 BPM | ||
Violin Partita No. 3 in E Major, BWV 1006: II. Loure | Johann Sebastian Bach, Hilary Hahn | D♭ Minor | 1 | 12A | 133 BPM | ||
Matthäus-Passion, BWV 244, Pt. 2: No. 46, Chorale. "Wie wunderbarlich ist doch diese Strafe!" (Chorus) | Johann Sebastian Bach, Dresdner Kreuzchor, Thomanerchor Leipzig, Gewandhausorchester, Rudolf Mauersberger, Erhard Mauersberger | A♭ Major | 1 | 4B | 74 BPM | ||
Piano Concerto in G Major, M. 83: II. Adagio assai | Maurice Ravel, Krystian Zimerman, Cleveland Orchestra, Pierre Boulez | E Major | 0 | 12B | 74 BPM | ||
Concerto in G major: Largo | Georg Philipp Telemann, Hartmut Rohde, Georg Mais | G Major | 0 | 9B | 166 BPM | ||
Bach, JS : Well-Tempered Clavier Book 1 : Prelude No.1 in C major BWV846 | Daniel Barenboim | C Major | 0 | 8B | 95 BPM | ||
Wir müssen durch viel Trübsal, BWV 146: Sinfonia | Johann Sebastian Bach, Brigitte Geller, William Towers, Mark Padmore, Julian Clarkson, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | D Major | 0 | 10B | 102 BPM | ||
Concerto For 2 Keyboards In C Minor, BWV 1060: II. Largo Ovvero Adagio | Cologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian Bach | C Minor | 2 | 5A | 176 BPM | ||
Brandenburg Concerto No. 6 In B Flat Major, BWV 1051: II. Adagio Ma Non Tanto | Cologne Chamber Orchestra, Johann Sebastian Bach | C Minor | 1 | 5A | 83 BPM |
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