Ferdinand Ries, Rheinische Kantorei, Das Kleine Konzert, Hermann Max's 'Der Sieg des Glaubens, Op. 157, Pt. 1: Euer Glaube ist uns Spott' came out on March 22, 2013. With this song being around four minutes long, at 4:29, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 23 in the song's album "Ries: Der Sieg des Glaubens, Op. 157". In this album, this song's track order is #11. Furthermore, we believe that the track originated from Germany. Based on our statistics, Der Sieg des Glaubens, Op. 157, Pt. 1: Euer Glaube ist uns Spott's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Der Sieg des Glaubens, Op. 157, Pt. 1: Euer Glaube ist uns Spott by Ferdinand Ries, Rheinische Kantorei, Das Kleine Konzert, Hermann Max having a BPM of 138 with a half-time of 69 BPM and a double-time of 276 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
A Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Serenade in C Major, Op. 10: IV. Tema con variazioni: Andante con moto | Ernst von Dohnányi, Laszlo Barsony, Dénes Kovács, Karoly Botvay | C Major | 1 | 8B | 133 BPM | ||
Symphony No. 2 in C Minor, Op. 80: II. Andantino | Ferdinand Ries, Tapiola Sinfonietta, Janne Nisonen | C Major | 2 | 8B | 142 BPM | ||
25の練習曲作品100 第12曲 別れ | Franz Burgmüller, Rintaro Akamatsu | E♭ Major | 1 | 5B | 179 BPM | ||
Gran duo concertante: III. Finale | Giovanni Bottesini, Tindaro Capuano, Ezio Bosso, Leonardo Colonna, Luca Brancaleon | A Major | 4 | 11B | 178 BPM | ||
Piano Concerto No. 2 in A Minor, Op. 85: II. Larghetto | Johann Nepomuk Hummel, Matthias Kirschnereit, Michael Sanderling, Frankfurt Radio Symphony Orchestra | F Minor | 1 | 4A | 142 BPM | ||
Variations on a Theme by Haydn, Op.56: Orchestra Setting, Op.56a: 8. Variation 7. Grazioso | Wilhelm Furtwängler | B♭ Major | 2 | 6B | 116 BPM | ||
Play Time | Nikki Calmero | B♭ Major | 3 | 6B | 87 BPM | ||
Trombone Concertino in E-flat Major, Op. 4: I. Allegro maestoso V | Ferdinand David, Christian Lindberg, Swedish Chamber Orchestra | C Minor | 4 | 5A | 126 BPM | ||
The Seasons, Op. 37a: III. March. Chant de l'alouette. Andantino espressivo | Pyotr Ilyich Tchaikovsky, Pavel Kolesnikov | F Major | 1 | 7B | 118 BPM | ||
Symphony No. 40 in G Minor, K. 550: II. Andante | Wolfgang Amadeus Mozart, Deutsche Kammerphilharmonie Bremen, Tarmo Peltokoski | E♭ Major | 0 | 5B | 121 BPM |
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