"Mass No. 6 in E-Flat Major, D. 950: IVb. Sanctus. Osanna in excelsis" by Franz Schubert, Cleveland Orchestra, Franz Welser-Möst, Cleveland Orchestra Chorus was released on September 1, 2023. With Mass No. 6 in E-Flat Major, D. 950: IVb. Sanctus. Osanna in excelsis being less than two minutes long, at 1:06, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 16 in the song's album "Schubert: Mass No. 6 in E-Flat Major". In this album, this song's track order is #10. Mass No. 6 in E-Flat Major, D. 950: IVb. Sanctus. Osanna in excelsis is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Mass No. 6 in E-Flat Major, D. 950: IVb. Sanctus. Osanna in excelsis by Franz Schubert, Cleveland Orchestra, Franz Welser-Möst, Cleveland Orchestra Chorus having a BPM of 84 with a half-time of 42 BPM and a double-time of 168 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
C Minor is the music key of this track. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Missa in angustiis "Nelson Mass", Hob. XXII:11 in D minor: Agnus Dei: Dona nobis pacem | Franz Joseph Haydn, Barbara Hendricks, Marjana Lipovsek, Francisco Araiza, Peter Meven, Bavarian Radio Chorus, Bavarian Radio Symphony Orchestra, Sir Colin Davis | D Major | 2 | 10B | 128 BPM | ||
Te Deum "de Lyon": IV. Te martyrum candidatus laudat exercitus | Henri Desmarets, Ensemble les Surprises, Louis-Noël Bestion de Camboulas | B♭ Major | 4 | 6B | 106 BPM | ||
Hiob, Kantate für Chor und Orchester: III. Chor | Fanny Mendelssohn, Kammerchor der Universität Dortmund, Willi Gundlach | B Major | 0 | 1B | 174 BPM | ||
Pulcinella, Ballet in One Act After Pergolesi for Soprano, Tenor, Bass, Soloists and Orchestra: VIII. Sento dire no' nce pace (Andante) | Igor Stravinsky, Vladimir Jurowski, London Philharmonic Orchestra, Angharad Lyddon, Sam Furness, Matthew Rose | G Minor | 0 | 6A | 140 BPM | ||
Requiem, Sequentia: III. Voca me | Niccolò Jommelli, Coro e Orchestra Ghislieri, Giulio Prandi, Sandrine Piau, Carlo Vistoli, Raffaele Giordani, Salvo Vitale | C Minor | 0 | 5A | 81 BPM | ||
Grande Messe des Morts: VI. Graduale: Fuga - Et lux perpetua | Francois-Joseph Gossec, Roberta Invernizzi, Maite Arruabarrena, Howard Crook, Claude Darbellay, Radio Svizzera Choir, Lugano, Radio Svizzera Italiana Orchestra, Diego Fasolis | C Minor | 2 | 5A | 109 BPM | ||
Mass No. 2 in G Major, D. 167: IV. Sanctus | Franz Schubert, Katrine Bryndorf, Chamber Orchestra of Europe, Claudio Abbado, Chor der Wiener Staatsoper | A Major | 3 | 11B | 186 BPM | ||
The King shall rejoice (Coronation Anthem No.3, HWV 260): 3. Glory and worship hast thou laid | George Frideric Handel, Academy of St. Martin in the Fields, Academy of St. Martin in the Fields Chorus, Sir Neville Marriner | D Major | 2 | 10B | 139 BPM | ||
Missa in Angustiis "Lord Nelson Mass": Missa in Angustiis "Lord Nelson Mass": IV. Quoniam | Franz Joseph Haydn, Boston Baroque, Martin Pearlman, Mary Wilson, Abigail Fischer, Keith Jameson, Kevin Deas | D Major | 3 | 10B | 123 BPM | ||
Requiem, Op. 9: V. Pie Jesu | Maurice Duruflé, Katherine Gregory, Myrtille Hetzel, Harrison Cole, Stephen Layton | G Minor | 1 | 6A | 75 BPM |
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