"Requiem, Op. 9: V. Pie Jesu" by Maurice Duruflé, Katherine Gregory, Myrtille Hetzel, Harrison Cole, Stephen Layton was released on March 1, 2024. With this song being around four minutes long, at 3:47, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 5 out of 13 in Duruflé: Requiem; Poulenc: Lenten Motets by The Choir Of Trinity College, Cambridge, Stephen Layton. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Requiem, Op. 9: V. Pie Jesu is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Requiem, Op. 9: V. Pie Jesu by Maurice Duruflé, Katherine Gregory, Myrtille Hetzel, Harrison Cole, Stephen Layton is Adagio (slowly with great expression), since this song has a tempo of 75 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Gloria, FP 177: IV. Domini Fili unigenite | Francis Poulenc, The Choir Of Trinity College, Cambridge, Stephen Layton, Polyphony, Britten Sinfonia | G Major | 3 | 9B | 114 BPM | ||
Seven Last Words from the Cross: I. Father, Forgive Them, for They Know Not What They Do | James MacMillan, Britten Sinfonia, Polyphony, Stephen Layton | B Major | 2 | 1B | 80 BPM | ||
O Emmanuel | Ēriks Ešenvalds, Stephen Layton, The Choir Of Trinity College, Cambridge | E Minor | 0 | 9A | 106 BPM | ||
Alleluia | Ivo Antognini, The Choir Of Trinity College, Cambridge, Stephen Layton | D♭ Minor | 1 | 12A | 136 BPM | ||
Wesendonck Lieder, WWV 91 (Arr. Fontanelli for Voice and Ensemble): No. 2, Stehe still | Richard Wagner, Kathrin Zukowski, KammerMusikKöln | E♭ Major | 1 | 5B | 69 BPM | ||
Trauerchöre, Op. 9: IV. Grablied | Peter Cornelius, Stephen Layton, Polyphony | C Major | 1 | 8B | 112 BPM | ||
Un soir de neige, FP 126: No. 1. De grandes cuillers de neige | Francis Poulenc, Danish National Vocal Ensemble, Stephen Layton | C Major | 0 | 8B | 69 BPM | ||
Canticum novum | Ivo Antognini, Stephen Layton, The Choir Of Trinity College, Cambridge | D♭ Minor | 1 | 12A | 136 BPM | ||
7 Magnificat Antiphons: III. O Spross aus Isais Wurzel | Arvo Pärt, Stephen Layton, Polyphony | E Minor | 1 | 9A | 119 BPM | ||
4 Lieder, Op. 27, TrV 170: No. 4, Morgen! (Version for Soprano & Orchestra) | Richard Strauss, Hanna-Elisabeth Müller, WDR Sinfonieorchester Köln, Christoph Eschenbach | G Major | 0 | 9B | 82 BPM |
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