Seven Last Words from the Cross: I. Father, Forgive Them, for They Know Not What They Do
James MacMillan, Britten Sinfonia, Polyphony, Stephen Layton
MacMillan: Seven Last Words from the Cross
5:48 August 1, 2005
BPM
80
Key
B Major
Camelot
1B

Embed

Share Link

Seven Last Words from the Cross: I. Father, Forgive Them, for They Know Not What They Do - James MacMillan, Britten Sinfonia, Polyphony, Stephen Layton Information

Acousticness
98%
Danceability
14%
Energy
17%
Instrumentalness
5%
Liveness
23%
Loudness
57%
Speechiness
4%
Valence
4%
Popularity
Loudness
-25.897 dB

Summary

"Seven Last Words from the Cross: I. Father, Forgive Them, for They Know Not What They Do" by James MacMillan, Britten Sinfonia, Polyphony, Stephen Layton was released on August 1, 2005. Seven Last Words from the Cross: I. Father, Forgive Them, for They Know Not What They Do is about six minutes long, preciously at 5:48, making this song fairly long compared to other songs. The track order of this song in James MacMillan, Polyphony, Stephen Layton's "MacMillan: Seven Last Words from the Cross" album is number 1 out of 9. On top of that, United Kingdom appears to be the country where this track was created. Seven Last Words from the Cross: I. Father, Forgive Them, for They Know Not What They Do is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Seven Last Words from the Cross: I. Father, Forgive Them, for They Know Not What They Do BPM

We consider the tempo marking of Seven Last Words from the Cross: I. Father, Forgive Them, for They Know Not What They Do by James MacMillan, Britten Sinfonia, Polyphony, Stephen Layton to be Andante (at a walking pace) because the track has a tempo of 80 BPM, a half-time of 40BPM, and a double-time of 160 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.

Seven Last Words from the Cross: I. Father, Forgive Them, for They Know Not What They Do Key

This song is in the music key of B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Liturgical Chants: 4 Spiritual Songs: Cherubic Song by Valentin Silvestrov, Latvian Radio Choir, Sigvards KļavaLiturgical Chants: 4 Spiritual Songs: Cherubic SongValentin Silvestrov, Latvian Radio Choir, Sigvards KļavaA Major011B80 BPM
Five Spirituals from Five Spirituals from "A Child of Our Time": I. Steal AwayMichael Tippett, Christopher Bell, National Youth Choir of Scotland, Royal Scottish National OrchestraG Major29B84 BPM
A New Song by James MacMillan, St Salvator's Chapel Choir, Sean Heath, Tom WilkinsonA New SongJames MacMillan, St Salvator's Chapel Choir, Sean Heath, Tom WilkinsonB Minor110A86 BPM
Crucifixus by Antonio Lotti, Armonico Consort, Christopher MonksCrucifixusAntonio Lotti, Armonico Consort, Christopher MonksC Minor15A127 BPM
Canticles & Prayers, Inexpressible Wonder: No. 1, Lord, Save the Pious by Georgy Sviridov, Unknown Artist, Latvian Radio Choir, Sigvards KļavaCanticles & Prayers, Inexpressible Wonder: No. 1, Lord, Save the PiousGeorgy Sviridov, Unknown Artist, Latvian Radio Choir, Sigvards KļavaF♯ Major02B171 BPM
Son of God Mass: Sanctus and Benedictus by James Whitbourn, Westminster Williamson Voices, Jeremy Powell, Ken Cowan, James JordanSon of God Mass: Sanctus and BenedictusJames Whitbourn, Westminster Williamson Voices, Jeremy Powell, Ken Cowan, James JordanF Major17B131 BPM
The Benediction by Laestadian Lutheran Church, Viena KontkanenThe BenedictionLaestadian Lutheran Church, Viena KontkanenE Major112B87 BPM
Burial Sentences: II. I Know That My Redeemer Liveth by William Croft, Michael Bawtree, Annabell McLauchlan, David RowlandBurial Sentences: II. I Know That My Redeemer LivethWilliam Croft, Michael Bawtree, Annabell McLauchlan, David RowlandC Minor15A144 BPM
Advance Democracy by Benjamin Britten, Collegium Vocale zu Franziskanern Luzern, Ulrike GroschAdvance DemocracyBenjamin Britten, Collegium Vocale zu Franziskanern Luzern, Ulrike GroschE♭ Major05B132 BPM
One by James MacMillan, Britten SinfoniaOneJames MacMillan, Britten SinfoniaB Minor010A85 BPM
ISRC
GBAJY0546001
Label
L-M Records/RCA Records

Section: 0.7706031799316406

End: 0.7748095989227295