"Gloria, ZWV 30: V. Qui sedes" by Jan Dismas Zelenka, Collegium 1704, Collegium Vocale 1704, Vaclav Luks was released on March 20, 2020. With Gloria, ZWV 30: V. Qui sedes being less than two minutes long, at 1:18, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Jan Dismas Zelenka, Collegium 1704, Collegium Vocale 1704, Vaclav Luks's "Missa 1724" album is number 8 out of 20. On top of that, Germany appears to be the country where this track was created. Gloria, ZWV 30: V. Qui sedes is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Gloria, ZWV 30: V. Qui sedes by Jan Dismas Zelenka, Collegium 1704, Collegium Vocale 1704, Vaclav Luks to be Andante (at a walking pace) because the track has a tempo of 84 BPM, a half-time of 42BPM, and a double-time of 168 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Missa pro defuncto Archiepiscopo Sigismundo, MH 154: Cum sanctis tuis | Michael Haydn, Christian Zacharias, Johanette Zomer, Helena Rasker, Markus Schäfer, Klaus Mertens, Schweizer Kammerchor, Orchestre de Chambre de Lausanne | B♭ Major | 3 | 6B | 111 BPM | ||
Paulus: II. Teil: Nr. 35 Rezitativ & Aria TB "Da das die Apostel hörten" - "Ihr Männer" - Chor "Aber unser Gott ist im Himmel" | Felix Mendelssohn, Collegium Vocale Gent, Matthias Goerne, James Taylor, La Chapelle Royale, Philippe Herreweghe | A♭ Major | 1 | 4B | 74 BPM | ||
Missa in Angustiis "Lord Nelson Mass": VII. Et resurrexit | Franz Joseph Haydn, Boston Baroque, Martin Pearlman, Mary Wilson | F Major | 2 | 7B | 78 BPM | ||
Arianna abbandonata, S. 98: No. 4, Se fia che pensi, o caro | Benedetto Marcello, Magdalena Kozená, Collegium 1704, Vaclav Luks | A Major | 0 | 11B | 110 BPM | ||
Mysliveček: Demetrio: "Sarete al fin contenti" (Cleonice) | Josef Mysliveček, Emőke Baráth, Vaclav Luks | C Major | 1 | 8B | 132 BPM | ||
Mass in D Major, Op. 86, B. 153: I. Kyrie | Antonín Dvořák, Priska Eser-Streit, Barbara Müller, Matthias Rettner, Thomas Hamberger, Harald Feller | D Major | 1 | 10B | 83 BPM | ||
Missa Divi Xaverii, ZWV 12: Kyrie eleison II | Jan Dismas Zelenka, Hana Blaziková, Kamila Mazalová, Lucille Richardot, Collegium Vocale 1704, Collegium 1704, Vaclav Luks | D♭ Minor | 1 | 12A | 107 BPM | ||
Domine Deus, Agnus Dei | Antonio Caldara, Jan Dismas Zelenka, Maria Magdalena Vokalensemble | D♭ Minor | 1 | 12A | 119 BPM | ||
Haydn: Mass in B-Flat Major, Hob. XXII:12 "Theresa Mass": Gloria | Joseph Haydn, Carol Vaness, Hansjürgen Scholze, MDR Leipzig Radio Chorus, Sir Neville Marriner, Staatskapelle Dresden | B♭ Major | 2 | 6B | 131 BPM | ||
Messiah, HWV 56, Pt. 1: No. 22, His Yoke Is Easy, His Burthen Is Light (Live) | George Frideric Handel, Collegium Vocale 1704, Collegium 1704, Vaclav Luks | A Major | 2 | 11B | 106 BPM |
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