Johann Sebastian Bach, Paul Agnew, Les Arts Florissants, Miriam Allan made "Nach dir, Herr, verlanget mich, BWV 150: III. Aria "Doch bin und bleibe ich vergnügt"" available on April 5, 2024. With Nach dir, Herr, verlanget mich, BWV 150: III. Aria "Doch bin und bleibe ich vergnügt" being less than two minutes long, at 1:30, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Les Arts Florissants, Benjamin Alard's "J. S. Bach: A Life in Music (Vol. 1). Arnstadt & Mühlhausen (1703-1708), Early Cantatas" album is number 23 out of 36. On top of that, France appears to be the country where this track was created. In terms of popularity, Nach dir, Herr, verlanget mich, BWV 150: III. Aria "Doch bin und bleibe ich vergnügt" is currently unknown. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Nach dir, Herr, verlanget mich, BWV 150: III. Aria "Doch bin und bleibe ich vergnügt" by Johann Sebastian Bach, Paul Agnew, Les Arts Florissants, Miriam Allan to be Andante (at a walking pace) because the track has a tempo of 101 BPM, a half-time of 50BPM, and a double-time of 202 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Partita No. 4 in D Major, BWV 828: III. Courante | Johann Sebastian Bach, Martin Helmchen | D♭ Major | 3 | 3B | 145 BPM | ||
Sonate, correnti et arie, Op. 4: No. 3, Corrente nona a violino solo | Marco Uccellini, Marino Lagomarsino, Ernest Braucher, Marco Vitali, Ero Maria Barbero | G Minor | 2 | 6A | 48 BPM | ||
Médée, H. 491, Prologue: Passepied | Marc-Antoine Charpentier, Le Concert Spirituel, Herve Niquet | G Minor | 3 | 6A | 64 BPM | ||
Der Herr ist mit mir, darum fürchte ich mich nicht, BuxWV 15 | Dietrich Buxtehude, Collegium Ad Mosam, Huub Ehlen, Hannah Morrison, Hanna Kopra, Immo Schroder, Benoît Giaux | C Minor | 1 | 5A | 140 BPM | ||
Sanctus (contrafactum by Les Arts Florissants of Beatus Vir, RV. 597/1 & Dixit Dominus, RV. 807/7): Coro "Pleni sunt cæli et terra gloria tua" | Antonio Vivaldi, Les Arts Florissants, Paul Agnew | B Minor | 1 | 10A | 75 BPM | ||
Actéon, H. 481, Scene I: Allons, marchons, courons | Marc-Antoine Charpentier, Les Arts Florissants, William Christie | D♭ Major | 4 | 3B | 152 BPM | ||
Geistliche Chormusik, Op. 11, SWV 369-397: So fahr ich hin, SWV 379 | Heinrich Schütz, Ricercar Consort, Philippe Pierlot, Hanna Bayodi-Hirt, Yetzabel Arias, Olivier Coiffet, Hugo Hymas, Matthias Vieweg | G Minor | 2 | 6A | 117 BPM | ||
Symphoniae sacrae II, SWV 350: Lobet den Herrn | Heinrich Schütz, David de Winter, Rachel Harris, Kathryn Parry, Tatty Theo, Lynda Sayce, Lisete da Silva Bull, Emily Bannister, Carolyn Gibley | F♯ Major | 3 | 2B | 175 BPM | ||
Violin Sonata in G Minor, Op. 5 No. 5: II. Vivace (Version for Flute) | Arcangelo Corelli, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 1 | 4B | 105 BPM | ||
Gluck: Orfeo ed Euridice, Wq. 30, Act 3: "Vieni, segui i miei passi" (Orfeo, Euridice) | Christoph Willibald Gluck, Stefan Plewniak, Elsa Dreisig, Jakub Józef Orliński, Il Giardino d'Amore | D♭ Major | 3 | 3B | 129 BPM |
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