Marco Uccellini, Marino Lagomarsino, Ernest Braucher, Marco Vitali, Ero Maria Barbero made "Sonate, correnti et arie, Op. 4: No. 3, Corrente nona a violino solo" available on January 1, 1995. With Sonate, correnti et arie, Op. 4: No. 3, Corrente nona a violino solo being less than two minutes long, at 1:05, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Marco Uccellini, Various Artists's "Marco Uccellinil: Sonate, Correnti E Arie Dall'Opera Quarta" album is number 3 out of 27. On top of that, Italy appears to be the country where this track was created. Sonate, correnti et arie, Op. 4: No. 3, Corrente nona a violino solo is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Sonate, correnti et arie, Op. 4: No. 3, Corrente nona a violino solo by Marco Uccellini, Marino Lagomarsino, Ernest Braucher, Marco Vitali, Ero Maria Barbero to be Lento (slowly) because the track has a tempo of 48 BPM, a half-time of 24BPM, and a double-time of 96 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonata da chiesa a tre in F Major, Op. 1 No. 1: II. Allegro | Arcangelo Corelli, The Avison Ensemble, Pavlo Beznosiuk | E♭ Major | 2 | 5B | 105 BPM | ||
Canzona terza a canto solo "detta la Donatina" | Girolamo Frescobaldi, Bruno Cocset, Les Basses Réunies | C Major | 1 | 8B | 77 BPM | ||
Trio Sonata in D Minor, Op. 3 No. 5: II. Allegro | Arcangelo Corelli, Ensemble Aurora, Enrico Gatti | F♯ Minor | 0 | 11A | 136 BPM | ||
Deuxième Suite in G Major: IV. La Leclair - Très vivement et détaché | Antoine Forqueray, Jean-Baptiste Forqueray, Michèle Dévérité, Kaori Uemura, Ricardo Rodríguez | F♯ Major | 1 | 2B | 77 BPM | ||
Airs for the Spring: Ranunculus: I. Aria: Moderato | James Oswald, The Broadside Band | F♯ Minor | 2 | 11A | 85 BPM | ||
Spagnolette | Pierre Francisque Carroubel, Le Poème Harmonique, Vincent Dumestre | D Minor | 0 | 7A | 86 BPM | ||
Organ Concerto No.5 in F, Op.4 No.5 HWV 293: 3. Alla siciliana | George Frideric Handel, Accademia Bizantina, Ottavio Dantone | A♭ Major | 0 | 4B | 119 BPM | ||
Sonate, correnti et arie, Op. 4: Sonata XXI | Marco Uccellini, Nicholas McGegan, The Arcadian Academy | F Major | 1 | 7B | 77 BPM | ||
Abdelazar Suite, Z. 570: I. Overture | Henry Purcell, Camerata Nordica, Terje Tonnesen | B♭ Major | 2 | 6B | 113 BPM | ||
Premier Concert: Gigue - Légèrement (Couperin) | Le Concert Des Nations, Jordi Savall | C Major | 3 | 8B | 79 BPM |
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