Arcangelo Corelli, The Avison Ensemble, Pavlo Beznosiuk made "Sonata da chiesa a tre in F Major, Op. 1 No. 1: II. Allegro" available on April 21, 2014. With Sonata da chiesa a tre in F Major, Op. 1 No. 1: II. Allegro being less than two minutes long, at 1:32, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 2 out of 98 in Corelli: Church Sonatas, Opus 1 & 3 by Arcangelo Corelli, The Avison Ensemble, Pavlo Beznosiuk. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Sonata da chiesa a tre in F Major, Op. 1 No. 1: II. Allegro is currently not that popular. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Sonata da chiesa a tre in F Major, Op. 1 No. 1: II. Allegro by Arcangelo Corelli, The Avison Ensemble, Pavlo Beznosiuk is Andante (at a walking pace), since this song has a tempo of 105 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
E♭ Major is the music key of this track. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Vivaldi: Concerto for Violin and Cello in B-Flat Major, RV 547: II. Andante | Antonio Vivaldi, Giovanni Sollima, Il Pomo D'oro, Federico Guglielmo | B Major | 0 | 1B | 133 BPM | ||
Trio Sonata in G Minor, Op. 2 No. 8, HWV 393: II. Allegro | George Frideric Handel, London Baroque | F♯ Minor | 2 | 11A | 133 BPM | ||
Airs for the Seasons, Summer (Excerpts): Pink: III. Temo di Minuetto | James Oswald, Rezonance Baroque Ensemble | F♯ Major | 2 | 2B | 82 BPM | ||
Passacaglia in D Minor, BuxWV 161 | Dietrich Buxtehude, Ensemble les Surprises, Louis-Noël Bestion de Camboulas | D Minor | 1 | 7A | 177 BPM | ||
Christ lag in Todes Banden, BWV 4: I. Sinfonia | Johann Sebastian Bach, Paul Agnew, Les Arts Florissants | E Major | 4 | 12B | 101 BPM | ||
Sonata No. 2 in A Major, C. 91 "The Visitation": Sonata - Allemanda - Presto | Heinrich Ignaz Franz von Biber, Rachel Podger, David Miller, Marcin Świątkiewicz, Jonathan Manson | A♭ Major | 1 | 4B | 67 BPM | ||
Les plaisirs de Versailles, H. 480: Overture | Marc-Antoine Charpentier, Boston Early Music Festival Chamber Ensemble, Paul O'Dette, Stephen Stubbs | B♭ Major | 3 | 6B | 127 BPM | ||
Al fragor di lieta tromba, Sinfonia: III. Allegro | Alessandro Scarlatti, Alessandro Stradella Consort, Estevan Velardi | G Minor | 0 | 6A | 117 BPM | ||
Canzona prima a 4, canto alto tenor basso "sopra rugier" | Girolamo Frescobaldi, Bruno Cocset, Les Basses Réunies | G Major | 2 | 9B | 135 BPM | ||
18 Sonatas in 1, 2, 3 Parts: Sonata seconda | Giovanni Battista Fontana, Enrico Onofri, Imaginarium, Alessandro Palmeri | C Minor | 0 | 5A | 81 BPM |
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