Heinrich Ignaz Franz von Biber, Rachel Podger, David Miller, Marcin Świątkiewicz, Jonathan Manson's 'Sonata No. 2 in A Major, C. 91 "The Visitation": Sonata - Allemanda - Presto' came out on January 1, 2015. Sonata No. 2 in A Major, C. 91 "The Visitation": Sonata - Allemanda - Presto is about six minutes long, preciously at 5:39, making this song fairly long compared to other songs. The song is number 2 out of 16 in Biber: Rosary Sonatas by Heinrich Ignaz Franz von Biber, Rachel Podger. Going off of the ISRC code of this track, we detected that the origin of this track is from Netherlands. Sonata No. 2 in A Major, C. 91 "The Visitation": Sonata - Allemanda - Presto is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Sonata No. 2 in A Major, C. 91 "The Visitation": Sonata - Allemanda - Presto by Heinrich Ignaz Franz von Biber, Rachel Podger, David Miller, Marcin Świątkiewicz, Jonathan Manson is Adagio (slowly with great expression), since this song has a tempo of 67 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto primo in G Major: III. Allegro assai | Baldassare Galuppi, Ensemble StilModerno | G Major | 1 | 9B | 88 BPM | ||
Mystery (Rosary) Sonata No. 5, "The 12-Year-Old Jesus in the Temple": III. Gigue | Heinrich Ignaz Franz von Biber, Sirkka-Liisa Kaakinen, Battalia | A♭ Major | 2 | 4B | 76 BPM | ||
Concerto Armonico No. 1 in G Major: Allegro | Unico Wilhelm van Wassenaer, Aradia Ensemble, Kevin Mallon | D♭ Major | 2 | 3B | 115 BPM | ||
Dies iræ, S. 31: Dies iræ | Michel Richard Delalande, Ensemble Correspondances, Sébastien Daucé | B Major | 2 | 1B | 91 BPM | ||
Flute Sonata in E Minor: II. Allegro assai | Frederick the Great, Berliner Barock Compagney | E♭ Minor | 0 | 2A | 120 BPM | ||
Trio in E-Flat Major for Viola d’amore, Bass Chalumeau & Continuo: I. Largo | Christoph Graupner, Hélène Plouffe, Mark Simons, David Jacques, Erin Helyard, Jacques-Olivier Chartier, Chloe Meyers, Amanda Keesmaat, Sophie Larivière, Olivier Laquerre | E Major | 0 | 12B | 116 BPM | ||
Psyche, Act I Scene 1: Dance for Ambition, Power, Plenty and Peace | Matthew Locke, Ensemble Correspondances, Sébastien Daucé | D♭ Major | 1 | 3B | 122 BPM | ||
Harmonia Artificioso Ariosa, Partia V in G Minor, C. 66: Passacaglia | Heinrich Ignaz Franz von Biber, Lautten Compagney, Wolfgang Katschner | F♯ Minor | 1 | 11A | 94 BPM | ||
Voorspel, 't Uitnemend kabinet II, 1649 | Cornelis Jansz Helmbreecker, Cordevento, Erik Bosgraaf | D♭ Major | 1 | 3B | 59 BPM | ||
Missa ex B: XIII. Genitum, non factum - Live at Melk Abbey, 5/30/2004 | Heinrich Ignaz Franz von Biber, Cappella Nova Graz, Otto Kargl | B♭ Major | 2 | 6B | 101 BPM |
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