Al fragor di lieta tromba, Sinfonia: III. Allegro
Alessandro Scarlatti, Alessandro Stradella Consort, Estevan Velardi
Alessandro Scarlatti: Serenate
1:23 November 23, 2018
BPM
117
Key
G Minor
Camelot
6A

Embed

Share Link

Al fragor di lieta tromba, Sinfonia: III. Allegro - Alessandro Scarlatti, Alessandro Stradella Consort, Estevan Velardi Information

Acousticness
42%
Danceability
30%
Energy
2%
Instrumentalness
2%
Liveness
16%
Loudness
67%
Speechiness
6%
Valence
9%
Popularity
Loudness
-19.693 dB

Summary

"Al fragor di lieta tromba, Sinfonia: III. Allegro" by Alessandro Scarlatti, Alessandro Stradella Consort, Estevan Velardi was released on November 23, 2018. With Al fragor di lieta tromba, Sinfonia: III. Allegro being less than two minutes long, at 1:23, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 3 out of 50 in Alessandro Scarlatti: Serenate by Alessandro Scarlatti, Various Artists, Estevan Velardi, Alessandro Stradella Consort. Going off of the ISRC code of this track, we detected that the origin of this track is from Italy. In terms of popularity, Al fragor di lieta tromba, Sinfonia: III. Allegro is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Al fragor di lieta tromba, Sinfonia: III. Allegro BPM

The tempo marking of Al fragor di lieta tromba, Sinfonia: III. Allegro by Alessandro Scarlatti, Alessandro Stradella Consort, Estevan Velardi is Moderato (at a moderate speed), since this song has a tempo of 117 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 3/4.

Al fragor di lieta tromba, Sinfonia: III. Allegro Key

G Minor is the music key of this track. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Il Martirio di Santa Teodosia, Seconda Parte: Si pur fidi guerrieri (Teodosia, Arsenio, Decio) by Alessandro Scarlatti, Emmanuelle De Negri, Emiliano Gonzalez Toro, Anthea Pichanick, Les Accents, Thibault NoallyIl Martirio di Santa Teodosia, Seconda Parte: Si pur fidi guerrieri (Teodosia, Arsenio, Decio)Alessandro Scarlatti, Emmanuelle De Negri, Emiliano Gonzalez Toro, Anthea Pichanick, Les Accents, Thibault NoallyF♯ Major42B107 BPM
Oboe Concerto in D Minor, Op. 9 No. 2: II. Adagio by Tomaso Albinoni, Kostroma Chamber Orchestra, Oleg Yakubovich, Pavel GersteinOboe Concerto in D Minor, Op. 9 No. 2: II. AdagioTomaso Albinoni, Kostroma Chamber Orchestra, Oleg Yakubovich, Pavel GersteinB♭ Major16B126 BPM
Concerto Grosso in F Major, Op. 6 No. 9: Corrente Vivace; III Mov. by Estevan VelardiConcerto Grosso in F Major, Op. 6 No. 9: Corrente Vivace; III Mov.Estevan VelardiE Major112B125 BPM
Airs for the Seasons, Summer (Excerpts): Pink: III. Temo di Minuetto by James Oswald, Rezonance Baroque EnsembleAirs for the Seasons, Summer (Excerpts): Pink: III. Temo di MinuettoJames Oswald, Rezonance Baroque EnsembleF♯ Major22B82 BPM
Amphitryon, Z. 572, Amphitryon, Z. 572, "The 2 Sosias": V. AirHenry Purcell, Andrea Jeffrey, Michelle Kettrick, Nicole Bower, Giles Tomkins, Aradia Ensemble, Kevin MallonF♯ Minor211A91 BPM
Il Martirio di Santa Teodosia, Seconda Parte: Spirti beati (Teodosia) by Alessandro Scarlatti, Emmanuelle De Negri, Les Accents, Thibault NoallyIl Martirio di Santa Teodosia, Seconda Parte: Spirti beati (Teodosia)Alessandro Scarlatti, Emmanuelle De Negri, Les Accents, Thibault NoallyF♯ Major42B107 BPM
Gli equivoci nel sembiante, Act II Scene 4: È passata assai meglio by Alessandro Scarlatti, The Gallery Players of Niagara, Nota Bene Baroque Players, Sheila Dietrich, Bud RoachGli equivoci nel sembiante, Act II Scene 4: È passata assai meglioAlessandro Scarlatti, The Gallery Players of Niagara, Nota Bene Baroque Players, Sheila Dietrich, Bud RoachF♯ Major12B178 BPM
Sonata in C Minor, Jung III.2.B: I. Largo by Johann Georg Pisendel, Concerto Köln, Mayumi HirasakiSonata in C Minor, Jung III.2.B: I. LargoJohann Georg Pisendel, Concerto Köln, Mayumi HirasakiB Minor110A96 BPM
Concerto Grosso No. 5 in D Minor (after D. Scarlatti): II. Allegro by Charles Avison, The Avison Ensemble, Pavlo BeznosiukConcerto Grosso No. 5 in D Minor (after D. Scarlatti): II. AllegroCharles Avison, The Avison Ensemble, Pavlo BeznosiukD♭ Minor212A132 BPM
Suite No. 4 in A Minor, Op. 1 No. 4 (Version for Oboe & Continuo): VI. Sicilienne by Pierre Danican Philidor, Jacques Vandeville, William Christie, Mariijke VerberneSuite No. 4 in A Minor, Op. 1 No. 4 (Version for Oboe & Continuo): VI. SiciliennePierre Danican Philidor, Jacques Vandeville, William Christie, Mariijke VerberneA Minor28A88 BPM
ISRC
ITKXV1800103
Label
L-M Records/RCA Records

Section: 1.2459521293640137

End: 1.2496857643127441