"Al fragor di lieta tromba, Sinfonia: III. Allegro" by Alessandro Scarlatti, Alessandro Stradella Consort, Estevan Velardi was released on November 23, 2018. With Al fragor di lieta tromba, Sinfonia: III. Allegro being less than two minutes long, at 1:23, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 3 out of 50 in Alessandro Scarlatti: Serenate by Alessandro Scarlatti, Various Artists, Estevan Velardi, Alessandro Stradella Consort. Going off of the ISRC code of this track, we detected that the origin of this track is from Italy. In terms of popularity, Al fragor di lieta tromba, Sinfonia: III. Allegro is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Al fragor di lieta tromba, Sinfonia: III. Allegro by Alessandro Scarlatti, Alessandro Stradella Consort, Estevan Velardi is Moderato (at a moderate speed), since this song has a tempo of 117 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 3/4.
G Minor is the music key of this track. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Il Martirio di Santa Teodosia, Seconda Parte: Si pur fidi guerrieri (Teodosia, Arsenio, Decio) | Alessandro Scarlatti, Emmanuelle De Negri, Emiliano Gonzalez Toro, Anthea Pichanick, Les Accents, Thibault Noally | F♯ Major | 4 | 2B | 107 BPM | ||
Oboe Concerto in D Minor, Op. 9 No. 2: II. Adagio | Tomaso Albinoni, Kostroma Chamber Orchestra, Oleg Yakubovich, Pavel Gerstein | B♭ Major | 1 | 6B | 126 BPM | ||
Concerto Grosso in F Major, Op. 6 No. 9: Corrente Vivace; III Mov. | Estevan Velardi | E Major | 1 | 12B | 125 BPM | ||
Airs for the Seasons, Summer (Excerpts): Pink: III. Temo di Minuetto | James Oswald, Rezonance Baroque Ensemble | F♯ Major | 2 | 2B | 82 BPM | ||
Amphitryon, Z. 572, "The 2 Sosias": V. Air | Henry Purcell, Andrea Jeffrey, Michelle Kettrick, Nicole Bower, Giles Tomkins, Aradia Ensemble, Kevin Mallon | F♯ Minor | 2 | 11A | 91 BPM | ||
Il Martirio di Santa Teodosia, Seconda Parte: Spirti beati (Teodosia) | Alessandro Scarlatti, Emmanuelle De Negri, Les Accents, Thibault Noally | F♯ Major | 4 | 2B | 107 BPM | ||
Gli equivoci nel sembiante, Act II Scene 4: È passata assai meglio | Alessandro Scarlatti, The Gallery Players of Niagara, Nota Bene Baroque Players, Sheila Dietrich, Bud Roach | F♯ Major | 1 | 2B | 178 BPM | ||
Sonata in C Minor, Jung III.2.B: I. Largo | Johann Georg Pisendel, Concerto Köln, Mayumi Hirasaki | B Minor | 1 | 10A | 96 BPM | ||
Concerto Grosso No. 5 in D Minor (after D. Scarlatti): II. Allegro | Charles Avison, The Avison Ensemble, Pavlo Beznosiuk | D♭ Minor | 2 | 12A | 132 BPM | ||
Suite No. 4 in A Minor, Op. 1 No. 4 (Version for Oboe & Continuo): VI. Sicilienne | Pierre Danican Philidor, Jacques Vandeville, William Christie, Mariijke Verberne | A Minor | 2 | 8A | 88 BPM |
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