"Zaïs, Prologue, Scène 2: La naissante Aurore (Petit chœur des Sylphides, Chœur des Génies, Oromazès)" by Jean-Philippe Rameau, Les Talens Lyriques, Chœur De Chambre De Namur, Aimery Lefèvre, Christophe Rousset was released on September 3, 2015. The duration of Zaïs, Prologue, Scène 2: La naissante Aurore (Petit chœur des Sylphides, Chœur des Génies, Oromazès) is about two minutes long, specifically at 2:39. This song does not appear to have any foul language. Zaïs, Prologue, Scène 2: La naissante Aurore (Petit chœur des Sylphides, Chœur des Génies, Oromazès)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 80 in the song's album "Rameau: Zaïs". In this album, this song's track order is #4. In terms of popularity, Zaïs, Prologue, Scène 2: La naissante Aurore (Petit chœur des Sylphides, Chœur des Génies, Oromazès) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Zaïs, Prologue, Scène 2: La naissante Aurore (Petit chœur des Sylphides, Chœur des Génies, Oromazès) by Jean-Philippe Rameau, Les Talens Lyriques, Chœur De Chambre De Namur, Aimery Lefèvre, Christophe Rousset having a BPM of 113 with a half-time of 56 BPM and a double-time of 226 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Seasons, Op. 37b: VI. June, "Barcarolle" | Pyotr Ilyich Tchaikovsky, Yefim Bronfman | G Minor | 0 | 6A | 87 BPM | ||
Le bourgeois gentilhomme: Chaconne des Scaramouches, Frivelins et Arlequins | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | F♯ Major | 0 | 2B | 0 BPM | ||
Chiome d'oro, SV 143 | Claudio Monteverdi, Sonia Wieder-Atherton | C Major | 1 | 8B | 119 BPM | ||
Les Boréades, RCT 31, Acte IV, Scène IV: Entrée pour les Muses, les Zéphyres, les Saisons, les Heures et les Arts | Jean-Philippe Rameau, Teodor Currentzis | D♭ Major | 1 | 3B | 130 BPM | ||
Trumpet Sonata in D Major, Z. 850: I. Allegro | Henry Purcell, Ede Inhoff, Hungarian State Opera Chamber Orchestra | E♭ Minor | 0 | 2A | 83 BPM | ||
Die schöne Müllerin, Op. 25, D. 795: No. 19 Der Müller und der Bach | Franz Schubert, Mischa Maisky, Daria Hovora | G Major | 0 | 9B | 96 BPM | ||
Lyric Pieces, Book 1, Op. 12: I. Arietta | Edvard Grieg, Javier Perianes | B♭ Major | 0 | 6B | 72 BPM | ||
Rameau: Achante et Céphise, Act 3: "Hélas, hélas ! Vous pouvez m’opprimer" (Le Génie, Achante, Céphise) | Jean-Philippe Rameau, Alexis Kossenko, Cyrille Dubois, David Witczak, Sabine Devieilhe, Les Ambassadeurs-La Grande Écurie | F Minor | 5 | 4A | 93 BPM | ||
Songs Without Words, Book VI Opus 67: No. 2 in F-Sharp Minor | Felix Mendelssohn, Bertrand Chamayou | F♯ Minor | 1 | 11A | 69 BPM | ||
Nocturne No. 1 in E-Flat Major | John Field, Benjamin Frith | E♭ Major | 0 | 5B | 73 BPM |
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