"Ave cujus conceptio" by Nicholas Ludford, Blue Heron, Scott Metcalfe was released on August 14, 2015. Since Ave cujus conceptio is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Blue Heron, Scott Metcalfe's "Music from the Peterhouse Partbooks, Vol. 4" album is number 1 out of 7. Based on our statistics, Ave cujus conceptio's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Ave cujus conceptio by Nicholas Ludford, Blue Heron, Scott Metcalfe to be Allegro (fast, quick, and bright) because the track has a tempo of 133 BPM, a half-time of 66BPM, and a double-time of 266 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
This song has a musical key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Bacco, Bacco | Mattio Rampollini, Capilla Flamenca | F Major | 5 | 7B | 112 BPM | ||
Missa O lumen ecclesie: Kyrie | Jacob Obrecht, Ars Nova Secunda, Janos Bali | F Major | 1 | 7B | 76 BPM | ||
Das ist je gewißlich wahr, SWV 277 | Heinrich Schütz, Vox Luminis, Lionel Meunier | A Minor | 1 | 8A | 106 BPM | ||
Sergei Rachmaninoff: Bogoróditse Dévo | Sergei Rachmaninoff, Schola Cantorum, Tone Bianca Sparre Dahl | F Major | 1 | 7B | 135 BPM | ||
Alma Redemptoris Mater | Hildegard von Bingen, Sequentia, Barbara Thornton | F Major | 1 | 7B | 80 BPM | ||
Missa Benedicta et Venerabilis: II. Gloria in Excelsis Deo | Nicholas Ludford, Christopher Borrett, Choir of New College, Oxford, Edward Higginbottom | F♯ Major | 2 | 2B | 71 BPM | ||
Música Religiosa (Vol. I), I. Adoramus Te (4 V.) CM 4: Adoramus Te Domine (Antífonia) | Jordi Savall | E Minor | 0 | 9A | 123 BPM | ||
Madrigals, Book 5, SV 94–106: Cruda amarilli, SV 94 | Claudio Monteverdi, Krijn Koetsveld, Il Nuove Musiche | C Major | 1 | 8B | 68 BPM | ||
Christ lag in Todesbanden | Johann Walter, Harmonia Recorder Ensemble | D Minor | 0 | 7A | 138 BPM | ||
Jephte: Plorate filii Israel plorate | Giacomo Carissimi, Alexander Weimann, Les Voix Baroques | D♭ Major | 2 | 3B | 120 BPM |
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