Mattio Rampollini, Capilla Flamenca made "Bacco, Bacco" available on April 13, 2000. With Bacco, Bacco being less than two minutes long, at 1:08, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 22 in the song's album "Oh Flanders Free: Music of the Flemish Renaissance". In this album, this song's track order is #10. Furthermore, we believe that the track originated from Hong Kong. In terms of popularity, Bacco, Bacco is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Bacco, Bacco by Mattio Rampollini, Capilla Flamenca having a BPM of 112 with a half-time of 56 BPM and a double-time of 224 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Lord of Salisbury his Pavin | Orlando Gibbons, Harmonia Recorder Ensemble | D Minor | 0 | 7A | 66 BPM | ||
Quel augellin che canta | Claudio Monteverdi, Emma Kirkby, Joseph Cornwell, Anthony Rooley, Simon Grant, Andrew King, Evelyn Tubb | G Minor | 0 | 6A | 108 BPM | ||
Nolo mortem peccatoris | Thomas Morley, Stile Antico | F Minor | 1 | 4A | 79 BPM | ||
Mors Tua, mors Christi | Alexander Utendal, Capilla Flamenca, Bart Demuyt | A Minor | 1 | 8A | 132 BPM | ||
Autant en emporte | Pierre de la Rue, Capilla Flamenca, Patrick Denecker | A♭ Minor | 0 | 1A | 80 BPM | ||
O vos, felices radices (De Patriarchis et Prophetis, Responsorium) | Hildegard von Bingen, Sequentia, Barbara Thornton | E Major | 2 | 12B | 66 BPM | ||
Pavan | Lodovico Bassano, Flanders Recorder Quartet, Capilla Flamenca, Toyohiko Satoh | G Minor | 0 | 6A | 101 BPM | ||
Quella bella e biancha mano | Antonio Caprioli, Shirley Rumsey | D Major | 0 | 10B | 72 BPM | ||
Motet - Quam pulchra es | Leonel Power, Orlando Consort | D Major | 1 | 10B | 102 BPM | ||
In Nomine No. 20, 'Crye' | Christopher Tye, The Rose Consort Of Viols | D♭ Minor | 1 | 12A | 98 BPM |
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