"O vos, felices radices (De Patriarchis et Prophetis, Responsorium)" by Hildegard von Bingen, Sequentia, Barbara Thornton was released on 1985. With this song being about 5 minutes long, at 5:04, "O vos, felices radices (De Patriarchis et Prophetis, Responsorium)" by Hildegard von Bingen, Sequentia, Barbara Thornton is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Hildegard von Bingen, Sequentia, Barbara Thornton, Margriet Tindemans's "Hildegard Von Bingen: Geistliche Gesänge" album is number 12 out of 14. On top of that, Germany appears to be the country where this track was created. O vos, felices radices (De Patriarchis et Prophetis, Responsorium) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of O vos, felices radices (De Patriarchis et Prophetis, Responsorium) by Hildegard von Bingen, Sequentia, Barbara Thornton to be Larghetto (rather broadly) because the track has a tempo of 66 BPM, a half-time of 33BPM, and a double-time of 132 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ave maris stella | Guillaume Dufay, Blue Heron, Scott Metcalfe | A Minor | 0 | 8A | 70 BPM | ||
O Holy God In C Minor. Kcc 51 | Kiev Chamber Choir | C Minor | 2 | 5A | 70 BPM | ||
Confirma hoc Deus | Jacobus Gallus, Pro Musica, Szabó Dénes | A Major | 1 | 11B | 66 BPM | ||
Cantigas de Santa Maria, No. 322: A Virgen, Que de Deus Madre | Alfonso X El Sabio, Esther Lamandier | E♭ Minor | 0 | 2A | 137 BPM | ||
Miserere, Op.44: 7. Domine Deus noster-Molto lento. Lento maestoso | Henryk Górecki, Los Angeles Master Chorale, Grant Gershon | C Major | 0 | 8B | 163 BPM | ||
Hymn To The Mother Of God (Bogoroditse Devo) | Vasily Kalinnikov, Dmitri Hvorostovsky, St.Petersburg Chamber Choir, Nikolai Korniev | D Minor | 0 | 7A | 87 BPM | ||
Never Seek to Tell Thy Love | Jonathan Roberts, Armonico Consort, Christopher Monks | F Major | 0 | 7B | 127 BPM | ||
Che farala che dirala | Vincenzo Capirola, Christopher Wilson | F Minor | 0 | 4A | 97 BPM | ||
Alleluya | Antoine Busnois, Capilla Flamenca | E♭ Major | 1 | 5B | 80 BPM | ||
Ballo 'La Giloxia' | Domenico da Piacenza, Unicorn Ensemble | G Major | 1 | 9B | 122 BPM |
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