Alleluya - Antoine Busnois, Capilla Flamenca Information

Acousticness
100%
Danceability
23%
Energy
8%
Instrumentalness
11%
Liveness
7%
Loudness
65%
Speechiness
4%
Valence
9%
Popularity
Loudness
-20.799 dB

Summary

"Alleluya" by Antoine Busnois, Capilla Flamenca was released on April 13, 2000. With Alleluya being less than two minutes long, at 1:25, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 22 in the song's album "Oh Flanders Free: Music of the Flemish Renaissance". In this album, this song's track order is #5. Alleluya is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Alleluya BPM

With Alleluya by Antoine Busnois, Capilla Flamenca having a BPM of 80 with a half-time of 40 BPM and a double-time of 160 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.

Alleluya Key

E♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Pour une fois et pour toute ma vie by Richard de Bellengues, Capilla Flamenca, Marnix De CatPour une fois et pour toute ma vieRichard de Bellengues, Capilla Flamenca, Marnix De CatD Minor17A67 BPM
In Nomine No. 20, 'Crye' by Christopher Tye, The Rose Consort Of ViolsIn Nomine No. 20, 'Crye'Christopher Tye, The Rose Consort Of ViolsD♭ Minor112A98 BPM
Viderunt omnes: ...salutare suum ante conspectum gentium revelavit... by Pérotin, Tonus Peregrinus, Antony PittsViderunt omnes: ...salutare suum ante conspectum gentium revelavit...Pérotin, Tonus Peregrinus, Antony PittsD♭ Major33B86 BPM
Celle que j'ay by Cornelius Rigo, Capilla Flamenca, Patrick DeneckerCelle que j'ayCornelius Rigo, Capilla Flamenca, Patrick DeneckerD Minor07A103 BPM
Ante Missam: In minen sin by Alexandre Agricola, Capilla Flamenca, Dirk SnellingsAnte Missam: In minen sinAlexandre Agricola, Capilla Flamenca, Dirk SnellingsE Major212B66 BPM
Nella partita by Francesco Landini, Anonymous 4Nella partitaFrancesco Landini, Anonymous 4A Major011B114 BPM
Alfons V El Magnànim: Adoramus te (4v.) (El Cancionero de Montecassino, Música Religiosa) by La Capella Reial De CatalunyaAlfons V El Magnànim: Adoramus te (4v.) (El Cancionero de Montecassino, Música Religiosa)La Capella Reial De CatalunyaE Minor09A114 BPM
In monte Oliveti, IGM 4 by Giovanni Battista Martini, Pro Musica, Szabó DénesIn monte Oliveti, IGM 4Giovanni Battista Martini, Pro Musica, Szabó DénesG Minor06A133 BPM
Nolo mortem peccatoris by Thomas Morley, Stile AnticoNolo mortem peccatorisThomas Morley, Stile AnticoF Minor14A79 BPM
Burial Sentences: III. We Brought Nothing Into This World by William Croft, Michael Bawtree, Annabell McLauchlan, David RowlandBurial Sentences: III. We Brought Nothing Into This WorldWilliam Croft, Michael Bawtree, Annabell McLauchlan, David RowlandF Minor04A88 BPM
ISRC
This song does not have an ISRC.
Label
L-M Records/RCA Records

Section: 0.5916745662689209

End: 0.595895528793335