Antonio Caprioli, Shirley Rumsey's 'Quella bella e biancha mano' came out on November 7, 1994. The duration of Quella bella e biancha mano is about two minutes long, specifically at 2:38. This song does not appear to have any foul language. Quella bella e biancha mano's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Shirley Rumsey's "Music of the Italian Renaissance" album is number 8 out of 25. Quella bella e biancha mano is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Quella bella e biancha mano by Antonio Caprioli, Shirley Rumsey to be Adagio (slowly with great expression) because the track has a tempo of 72 BPM, a half-time of 36BPM, and a double-time of 144 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Isaac: Tota Pulchra Es - 2. Flores Apparuerunt | The Tallis Scholars, Peter Phillips | C Major | 1 | 8B | 131 BPM | ||
Amour m'a le cuer mis en tel martire (ballade) | Anthonello de Caserta, Gérard Lesne, Alla Francesca | B♭ Minor | 0 | 3A | 80 BPM | ||
A Fantasie | Hopkinson Smith, John Dowland | G Major | 1 | 9B | 99 BPM | ||
Suite in D Minor: VII. La poste | Vieux Gaultier, Hopkinson Smith | E♭ Major | 2 | 5B | 127 BPM | ||
Ahi che si parte il mio bel sol adorno: Voglio di vita uscir | Claudio Monteverdi, Delitiæ Musicæ, Marco Longhini | B Major | 1 | 1B | 108 BPM | ||
Terpsichore (arr. H. Baumer): Courante | Michael Praetorius, Hermann Bäumer, Westra Aros Pipers, Bourrasque Ensemble, Bertil Färnlof | G Major | 3 | 9B | 111 BPM | ||
Sixiesme Branle de Bourgogne (Le Roy) | Edward Martin | F Major | 0 | 7B | 136 BPM | ||
Cantigas de Santa Maria, No. 322: A Virgen, Que de Deus Madre | Alfonso X El Sabio, Esther Lamandier | E♭ Minor | 0 | 2A | 137 BPM | ||
Binchois: Amours mercy de trespout non pooir | Gilles Binchois, Ensemble Gilles Binchois, Dominique Vellard | D♭ Minor | 1 | 12A | 88 BPM | ||
Differencias Sobre La Gallarda Milanesa | Antonio de Cabezón, Veronique Musson-Gonneaud | F Major | 1 | 7B | 87 BPM |
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