"Binchois: Amours mercy de trespout non pooir" by Gilles Binchois, Ensemble Gilles Binchois, Dominique Vellard was released on 1998. With this song being around four minutes long, at 3:55, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Gilles Binchois, Ensemble Gilles Binchois, Dominique Vellard's "Gilles Binchois - Chansons" album is number 2 out of 17. On top of that, United Kingdom appears to be the country where this track was created. Binchois: Amours mercy de trespout non pooir is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Binchois: Amours mercy de trespout non pooir by Gilles Binchois, Ensemble Gilles Binchois, Dominique Vellard to be Andante (at a walking pace) because the track has a tempo of 88 BPM, a half-time of 44BPM, and a double-time of 176 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sicut lilium | Antoine Brumel, Choir of Jesus College, Cambridge, Mark Williams | G Major | 0 | 9B | 82 BPM | ||
Ex numero frequentium - Quasi quid | Notker Balbulus, Ensemble Gilles Binchois, Dominique Vellard | B Major | 1 | 1B | 84 BPM | ||
Missa "Mille Regretz": Agnus Dei I (Morales) | The Hilliard Ensemble | A Minor | 2 | 8A | 72 BPM | ||
Ach Vlaendere vrie | Thomas Fabri, Capilla Flamenca | B♭ Major | 2 | 6B | 89 BPM | ||
Messe Et ecce terrae motus: I. Kyrie | Antoine Brumel, Studio De Musique Ancienne De Montréal, Christopher Jackson | D♭ Major | 2 | 3B | 132 BPM | ||
Beata viscera | Pérotin, Dominique Vellard | A Major | 0 | 11B | 124 BPM | ||
Messe de Nostre Dame: I. Kyrie | Guillaume de Machaut, Brigitte Lesne, Akira Tachikawa, Dominique Vellard, Emmanuel Bonnardot | E♭ Major | 1 | 5B | 172 BPM | ||
Missa pro defunctis: V. Sanctus | Charles D'Argentil, Ensemble Gilles Binchois, Dominique Vellard | A Major | 3 | 11B | 80 BPM | ||
Cancionero musical de palacio: No. 429, Una montaña pasando | Garcimuñoz, Música Temprana, Adrian Rodriguez van der Spoel, Olalla Alemán | F Major | 1 | 7B | 111 BPM | ||
Mass For Four Voices: 2. Credo | Thomas Tallis, The Hilliard Ensemble | C Major | 2 | 8B | 80 BPM |
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