"Missa "Mille Regretz": Agnus Dei I (Morales)" by The Hilliard Ensemble was released on January 1, 1997. The duration of Missa "Mille Regretz": Agnus Dei I (Morales) is about two minutes long, specifically at 2:26. This song does not appear to have any foul language. Missa "Mille Regretz": Agnus Dei I (Morales)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 5 out of 16 in Cristóbal de Morales: Missa Mille Regretz by The Hilliard Ensemble. Going off of the ISRC code of this track, we detected that the origin of this track is from Spain. Missa "Mille Regretz": Agnus Dei I (Morales) is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Missa "Mille Regretz": Agnus Dei I (Morales) by The Hilliard Ensemble is Adagio (slowly with great expression), since this song has a tempo of 72 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Crucifixus (8vv) | Antonio Lotti, Choir of St. John's College, Cambridge, London Philharmonic Orchestra, George Guest | C Minor | 2 | 5A | 86 BPM | ||
Communion: O sacrum convivium à 5 | Andrea Gabrieli, Gabrieli, Paul McCreesh | C Major | 0 | 8B | 135 BPM | ||
Innsbruck, ich muss dich lassen | Heinrich Isaac, Capilla Flamenca | F Major | 0 | 7B | 94 BPM | ||
Missa "Mille Regretz": Agnus Dei II (Morales) | The Hilliard Ensemble | A Minor | 2 | 8A | 71 BPM | ||
If Music Be The Food Of Love | Alfred Deller | D Minor | 1 | 7A | 129 BPM | ||
Nun Lob, mein Seel, den Herren, BWV 389 | Johann Sebastian Bach, The Hilliard Ensemble | A Major | 1 | 11B | 174 BPM | ||
13 Canons, Op. 113: No. 13. Einformig ist der Liebe Gram | Johannes Brahms, Monteverdi Choir, female section, John Eliot Gardiner | A Minor | 0 | 8A | 79 BPM | ||
The Lamentations of Jeremiah the Prophet. Lamentations for Holy Wednesday, ZWV 203: No. 3, Lamentatio III. Gregorian Chant | Jan Dismas Zelenka, Tomáš Král, Collegium Marianum | D♭ Major | 0 | 3B | 131 BPM | ||
Allá se me ponga el sol à 4 | Juan Ponce, Huelgas Ensemble, Paul Van Nevel | D Minor | 0 | 7A | 176 BPM | ||
Hymn to St. Cecilia | Benjamin Britten, Tenebrae | E Major | 1 | 12B | 72 BPM |
Section: 0.5916042327880859
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