"Missa "Mille Regretz": Agnus Dei II (Morales)" by The Hilliard Ensemble was released on January 1, 1997. The duration of Missa "Mille Regretz": Agnus Dei II (Morales) is about two minutes long, specifically at 2:23. This song does not appear to have any foul language. Missa "Mille Regretz": Agnus Dei II (Morales)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 7 out of 16 in Cristóbal de Morales: Missa Mille Regretz by The Hilliard Ensemble. Going off of the ISRC code of this track, we detected that the origin of this track is from Spain. Missa "Mille Regretz": Agnus Dei II (Morales) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Missa "Mille Regretz": Agnus Dei II (Morales) by The Hilliard Ensemble is Adagio (slowly with great expression), since this song has a tempo of 71 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song has a musical key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
4 Songs of Love: No. 1, Let Him Kiss Me | Sven-David Sandström, Sofia Vokalensemble, Bengt Ollen | E♭ Major | 0 | 5B | 80 BPM | ||
Singet dem Herrn ein neues Lied Motet, BWV 225: 3. Doppelchor: "Lobet den Herrn in seinen Taten", "Alles, was Odem hat" | Johann Sebastian Bach, The Hilliard Ensemble | E Minor | 1 | 9A | 135 BPM | ||
Absterge Domine | Thomas Tallis, The Hilliard Ensemble | D Major | 2 | 10B | 103 BPM | ||
O Mors Illa | Girolamo Frescobaldi, Adrian Lucas, George Guest | G Minor | 1 | 6A | 81 BPM | ||
Se je fayz deuil (Arr. Garbarek and The Hilliard Ensemble) - Live in Bellinzona / 2014 | Guillaume Le Rouge, Jan Garbarek, The Hilliard Ensemble | G Minor | 2 | 6A | 139 BPM | ||
Tallis: Spem in Alium - 2. in Tribulatione Dimittis | The Tallis Scholars, Peter Phillips | B Minor | 2 | 10A | 78 BPM | ||
Responsoria: Feria V - In Coena Domini / In I Nocturno: Responsorium 2 | Carlo Gesualdo, The Hilliard Ensemble | D Major | 1 | 10B | 135 BPM | ||
Mother of God Here I Stand | John Taverner, Nottingham Cathedral Choir, Alex Patterson | F♯ Major | 0 | 2B | 84 BPM | ||
Terpsichore*: Ballet | Michael Praetorius, Westra Aros Pipers, Bourrasque Ensemble, Bertil Färnlof | B♭ Major | 0 | 6B | 126 BPM | ||
Planctus Caravaggio I (Jordi Savall) | Sergi Casademunt, Fahmi Alqhai, Riccardo Minasi, Jordi Savall, F. Heumann, Andrew Lawrence-King, Luca Guglielmi, Xavier Puertas | G Minor | 0 | 6A | 171 BPM |
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