- BPM
- 135
- Key
- D Major
- Camelot
- 10B
Responsoria: Feria V - In Coena Domini / In I Nocturno: Responsorium 2 - Carlo Gesualdo, The Hilliard Ensemble Information
- Acousticness
- 99%
- Danceability
- 18%
- Energy
- 9%
- Instrumentalness
- 9%
- Liveness
- 11%
- Loudness
- 57%
- Speechiness
- 4%
- Valence
- 3%
- Popularity
- 3%
- Loudness
- -25.737 dB
Summary
"Responsoria: Feria V - In Coena Domini / In I Nocturno: Responsorium 2" by Carlo Gesualdo, The Hilliard Ensemble was released on March 1, 1991. With this song being around four minutes long, at 4:23, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 2 out of 29 in Carlo Gesualdo: Tenebrae by Carlo Gesualdo, The Hilliard Ensemble. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Based on our statistics, Responsoria: Feria V - In Coena Domini / In I Nocturno: Responsorium 2's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Responsoria: Feria V - In Coena Domini / In I Nocturno: Responsorium 2 BPM
The tempo marking of Responsoria: Feria V - In Coena Domini / In I Nocturno: Responsorium 2 by Carlo Gesualdo, The Hilliard Ensemble is Allegro (fast, quick, and bright), since this song has a tempo of 135 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
Responsoria: Feria V - In Coena Domini / In I Nocturno: Responsorium 2 Key
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Alleluya | Antoine Busnois, Capilla Flamenca | E♭ Major | 1 | 5B | 80 BPM | |
 | Versicle/Response: Deus in adjutorium/Domine in adiuvandum | Claudio Monteverdi, Choir Of The Enlightenment, Eamonn Dougan, Robert Howarth, Orchestra of the Age of Enlightenment | E♭ Major | 1 | 5B | 82 BPM | |
 | Tenebrae Responsories, Feria quinta: IV. Amicus meus | Carlo Gesualdo, Philippe Herreweghe, Collegium Vocale Gent | A Minor | 1 | 8A | 131 BPM | |
 | Fuga a 5 voci sopra la canzone di Cecilia | Leonardo García-Alarcón, Cappella Mediterranea, Ana Vieira Leite, Mariana Flores, Léo Fernique, Valerio Contaldo, Matteo Bellotto | B♭ Minor | 0 | 3A | 110 BPM | |
 | Vespro della Beata Vergine, SV 206: VII. Concerto "Duo Seraphim" | Claudio Monteverdi, Philippe Herreweghe, Reinoud Van Mechelen, Samuel Boden, Benedict Hymas, Collegium Vocale Gent | F Major | 2 | 7B | 76 BPM | |
 | 4 Motets sur des themes gregoriens, Op. 10: IV. Tantum ergo | Maurice Duruflé, Michel Piquemal Vocal Ensemble, Michel Piquemal | B Minor | 1 | 10A | 0 BPM | |
 | Christ Has Risen (2) | Mark Powell, Cappella Romana, Alexander Lingas | A Minor | 3 | 8A | 93 BPM | |
 | Ancor che col partire | Cipriano de Rore, Cappella Mediterranea, Leonardo García-Alarcón | A Minor | 2 | 8A | 73 BPM | |
 | Tallis: Spem in Alium - 4. Respice (Repeat) | The Tallis Scholars, Peter Phillips | D Major | 3 | 10B | 89 BPM | |
 | Guerrero: Dios los extremos condena | A5 Vocal Ensemble, Francisco Guerrero | G Minor | 1 | 6A | 126 BPM |
- ISRC
- DEB339042202
- Label
- L-M Records/RCA Records
Section: 0.7005722522735596
End: 0.7056419849395752