"4 Motets sur des themes gregoriens, Op. 10: IV. Tantum ergo" by Maurice Duruflé, Michel Piquemal Vocal Ensemble, Michel Piquemal was released on June 8, 1995. The duration of 4 Motets sur des themes gregoriens, Op. 10: IV. Tantum ergo is about two minutes long, specifically at 2:51. This song does not appear to have any foul language. 4 Motets sur des themes gregoriens, Op. 10: IV. Tantum ergo's duration is considered a little bit shorter than the average duration of a typical track. The song is number 13 out of 17 in Durufle: Requiem / 4 Motets / Prelude and Fugue by Maurice Duruflé, Michel Piquemal. 4 Motets sur des themes gregoriens, Op. 10: IV. Tantum ergo is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of 4 Motets sur des themes gregoriens, Op. 10: IV. Tantum ergo by Maurice Duruflé, Michel Piquemal Vocal Ensemble, Michel Piquemal is Larghissimo, since this song has a tempo of 0 BPM. With that information, we can conclude that the song has a slow tempo.
This song is in the music key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ave generosa | Hildegard von Bingen, Oxford Camerata, Jeremy Summerly | A Minor | 0 | 8A | 134 BPM | ||
L'enfance du Christ, Op. 25: Part III: The Arrival At Sais - Scene 3 - Epilogue. Narrator, Chorus | Hector Berlioz, Fernand Bernardi, Antoine Garcin, Michèle Lagrange, Michel Piquemal, Jean-Louis Serre, Etienne Vandier, Jean-Luc Viala, Ile de France Vittoria Regional Choir, Orchestre National de Lille, Jean-Claude Casadesus | D♭ Minor | 1 | 12A | 58 BPM | ||
Requiem, Op. 9: Domine Jesu Christe | Maurice Duruflé, Randi Stene, Bo Skovhus, Henrik Brendstrup, Kristian Krogsøe, Aarhus Cathedral Choir, Vocal Group Concert Clemens, Carsten Seyer-Hansen | F Major | 3 | 7B | 122 BPM | ||
Missa a cappella: I. Kyrie | Einojuhani Rautavaara, Latvijas Radio koris, Sigvards Kļava | G Major | 1 | 9B | 97 BPM | ||
Õhtul | Kammerkoor Head Ööd Vend | E♭ Major | 0 | 5B | 141 BPM | ||
Sure on this shining night, Op. 13, No. 3 | Samuel Barber, Conspirare, Craig Hella Johnson, Faith Debow | B♭ Major | 0 | 6B | 80 BPM | ||
Quatre Motets sur des thèmes grégoriens pour choeur a cappella, Op. 10: II. Tota pulchra es | Maurice Duruflé, Mauruce Duruflé, Houston Chamber Choir, Robert Simpson | G Minor | 1 | 6A | 130 BPM | ||
Media Vita | Kerensa Briggs, Anna Lapwood, The Chapel Choir of Pembroke College, Cambridge | B Minor | 1 | 10A | 143 BPM | ||
Itene, o miei sospiri | Carlo Gesualdo, Delitiæ Musicæ, Marco Longhini | C Major | 2 | 8B | 131 BPM | ||
If My Complaints Could Passions Move | John Dowland, Grace Davidson, David Miller | B Minor | 3 | 10A | 97 BPM |
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