Michael Praetorius, Westra Aros Pipers, Bourrasque Ensemble, Bertil Färnlof made "Terpsichore*: Ballet" available on October 13, 1998. The duration of Terpsichore*: Ballet is about two minutes long, specifically at 2:04. This song does not appear to have any foul language. Terpsichore*: Ballet's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 28 in the song's album "Praetorius: Dances From Terpsichore". In this album, this song's track order is #5. Furthermore, we believe that the track originated from Hong Kong. Based on our statistics, Terpsichore*: Ballet's popularity is average in popularity right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Terpsichore*: Ballet by Michael Praetorius, Westra Aros Pipers, Bourrasque Ensemble, Bertil Färnlof having a BPM of 126 with a half-time of 63 BPM and a double-time of 252 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
In Nomine, "Fantasia": Fantasia | William Mundy, The Rose Consort Of Viols | B Major | 0 | 1B | 115 BPM | ||
Improvisation for Sikus, Bass and Guitar | Henry Villca suntura, Henry Villca, Robert Nairn, Eligio Quinteiro | B Major | 1 | 1B | 138 BPM | ||
Se la face ay pale | Guillaume Dufay, Ciaramella | E♭ Major | 1 | 5B | 120 BPM | ||
Branles de village | Robert Ballard, Massimo Marchese | C Major | 1 | 8B | 94 BPM | ||
Suite From Abdelzar: I. Rondeau | Henry Purcell, Tafelmusik Baroque Orchestra, Jeanne Lamon | D♭ Minor | 1 | 12A | 101 BPM | ||
Sonata in A-Moll, BuxWV 272: Sonata in A-Moll, BuxWV 272: I. [Allegro] | Dietrich Buxtehude, La Rêveuse, Sébastien Wonner, Benjamin Perrot, Florence Bolton | A♭ Minor | 2 | 1A | 89 BPM | ||
Toccata arpeggiata | Giovanni Girolamo Kapsberger, Constantinople | A Minor | 0 | 8A | 104 BPM | ||
Dances from 'Terpsichore' (1974 Digital Remaster): Spagnoletta (XXVII a 4) | Michael Praetorius, Early Music Consort Of London | C Major | 0 | 8B | 95 BPM | ||
Maudit soyt | Heinrich Isaac, Capilla Flamenca, Patrick Denecker | E♭ Major | 1 | 5B | 50 BPM | ||
Concerto in D Minor, Op.7, No.4: I. Adagio | George Frideric Handel, Academy of Ancient Music, Richard Egarr | D♭ Minor | 0 | 12A | 75 BPM |
Section: 0.5712721347808838
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