"Tallis: Spem in Alium - 2. in Tribulatione Dimittis" by The Tallis Scholars, Peter Phillips was released on October 1, 1985. The duration of Tallis: Spem in Alium - 2. in Tribulatione Dimittis is about two minutes long, specifically at 2:24. This song does not appear to have any foul language. Tallis: Spem in Alium - 2. in Tribulatione Dimittis's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 26 in the song's album "Thomas Tallis - Spem in Alium". In this album, this song's track order is #2. Furthermore, we believe that the track originated from United Kingdom. Tallis: Spem in Alium - 2. in Tribulatione Dimittis is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Tallis: Spem in Alium - 2. in Tribulatione Dimittis by The Tallis Scholars, Peter Phillips having a BPM of 78 with a half-time of 39 BPM and a double-time of 156 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of B Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Liturgy of St. John Chrysostom, Op. 41: III. Come, Let Us Worship | Pyotr Ilyich Tchaikovsky, National Choir Of The Ukraine "Dumka", Yevhen Savchuk | E♭ Major | 1 | 5B | 97 BPM | ||
Miserere mei, Z. 109 | Henry Purcell, Westminster Kantorei, Thomas Fields, Kerry Heimann, Amanda Quist | A Minor | 1 | 8A | 66 BPM | ||
Liturgy of St. John Chrysostom: No. 4, Only-Begotten Son (The Hymn of Justinian) | Benedict Sheehan, The Saint Tikhon Choir | F Minor | 1 | 4A | 138 BPM | ||
Regina caeli | Vicente Lusitano, The Marian Consort | A♭ Major | 1 | 4B | 76 BPM | ||
Maurice Duruflé: Ubi caritas | Maurice Duruflé, Schola Cantorum, Tone Bianca Sparre Dahl | E♭ Major | 0 | 5B | 87 BPM | ||
Palestrina: Missa Brevis - 13. Agnus Dei 2 | Giovanni Pierluigi da Palestrina, Peter Phillips, The Tallis Scholars | E♭ Major | 1 | 5B | 85 BPM | ||
Nigra sum sed formosa II | Jean L'héritier, The Choir of King's College London, Gareth Wilson | G Major | 1 | 9B | 92 BPM | ||
Dido and Aeneas, Z.626 / Act 3: "Thy Hand Belinda - When I Am Laid In Earth" | Henry Purcell, Catherine Bott, Academy of Ancient Music, Christopher Hogwood | F♯ Minor | 0 | 11A | 83 BPM | ||
Ave maris stella | Guillaume Dufay, Blue Heron, Scott Metcalfe | A Minor | 0 | 8A | 70 BPM | ||
Antiphon Caritas habundant in omnia | Hildegard von Bingen, Anonymous 4 | F Minor | 0 | 4A | 125 BPM |
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