"Regina caeli" by Vicente Lusitano, The Marian Consort was released on September 23, 2022. With this song being around four minutes long, at 4:11, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of Vicente Lusitano: Motets by Vicente Lusitano, The Marian Consort. The song's track number on the album is #2 out of 10 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. Regina caeli is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Regina caeli by Vicente Lusitano, The Marian Consort has a tempo of 76 beats per a minute, the tempo markings of this song would be Adagio (slowly with great expression). With Regina caeli being at 76 BPM, the half-time would be 38 BPM with a double-time of 152 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
The music key of this track is A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Liturgical Chants: 4 Spiritual Songs: Cherubic Song | Valentin Silvestrov, Latvian Radio Choir, Sigvards Kļava | A Major | 0 | 11B | 80 BPM | ||
Christus resurgens | Peter Philips, Sarum Consort, Andrew Mackay | B Major | 1 | 1B | 97 BPM | ||
Liturgy of St. John Chrysostom, Op. 41: III. Come, Let Us Worship | Pyotr Ilyich Tchaikovsky, National Choir Of The Ukraine "Dumka", Yevhen Savchuk | E♭ Major | 1 | 5B | 97 BPM | ||
Al vivo sol | Tomaso Cecchino, The Marian Consort, Rory McCleery, Bojan Čičić, The Illyria Consort | F♯ Major | 2 | 2B | 86 BPM | ||
Tallis: Sancte Deus - 4. Quia Per Crucem Tuam | The Tallis Scholars, Peter Phillips | A Minor | 1 | 8A | 137 BPM | ||
Selig sind die Toten, SWV 391 | Heinrich Schütz, Vox Luminis, Lionel Meunier, Bart Jacobs | F Major | 2 | 7B | 170 BPM | ||
Ma maistresse | Johannes Ockeghem, Capilla Flamenca | F Major | 1 | 7B | 125 BPM | ||
Thou wilt keep him in perfect peace | Samuel Sebastian Wesley, James McVinnie, Choir of Clare College, Cambridge, Christopher Robinson | F Major | 0 | 7B | 66 BPM | ||
The Passing of the Year: No. 1. Invocation | Jonathan Dove, Convivium Singers, Christopher Cromar, Neil Ferris | G Major | 1 | 9B | 143 BPM | ||
O Crux benedicta | Carlo Gesualdo, The Marian Consort, Rory McCleery | A Minor | 1 | 8A | 75 BPM |
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