"Differencias Sobre La Gallarda Milanesa" by Antonio de Cabezón, Veronique Musson-Gonneaud was released on December 12, 2012. The duration of Differencias Sobre La Gallarda Milanesa is about two minutes long, specifically at 2:19. This song does not appear to have any foul language. Differencias Sobre La Gallarda Milanesa's duration is considered a little bit shorter than the average duration of a typical track. The song is number 5 out of 18 in Cabezon: Pour Un Plaisir, Intabulations for Renaissance Double Harp by Antonio de Cabezón, Veronique Musson-Gonneaud. Differencias Sobre La Gallarda Milanesa is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Differencias Sobre La Gallarda Milanesa by Antonio de Cabezón, Veronique Musson-Gonneaud is Andante (at a walking pace), since this song has a tempo of 87 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Op.12, No.4: Canzon La Treccia | Tarquinio Merula, Musica Sequenza, BURAK | F♯ Minor | 1 | 11A | 75 BPM | ||
In Nomine No. 20, 'Crye' | Christopher Tye, The Rose Consort Of Viols | D♭ Minor | 1 | 12A | 98 BPM | ||
Sonata a tre in re maggiore: I. Allegro - Presto | Giovanni Battista Bassani, Musica Antiqua Latina | D♭ Major | 3 | 3B | 117 BPM | ||
Who made thee, Hob, forsake the Plough? | William Byrd, Dorothee Mields, Magdalene Harer, Boreas Quartett Bremen, Hathor Consort | A♭ Major | 2 | 4B | 101 BPM | ||
Pavana II | Alonso Mudarra, Hopkinson Smith | B Minor | 1 | 10A | 115 BPM | ||
Missa la Spagna: Agnus Dei | Heinrich Isaac, Doulce Mémoire, Denis Raisin-Dadre | G Major | 1 | 9B | 91 BPM | ||
Du Vien Sela | Antonio de Cabezón, Kimberly Marshall | A Minor | 1 | 8A | 67 BPM | ||
Recueil de plusieurs belles pièces de simphonies: Bransle de Mr de Luly / Bransle guay / Bransle à mener | Jean-Baptiste Lully, Les Musiciens De Saint-Julien, François Lazarevitch | B♭ Major | 2 | 6B | 113 BPM | ||
La soave melodia | Andrea Falconieri, Luca Pianca | E Minor | 0 | 9A | 91 BPM | ||
Fantasia à 3 No. 3 | William Byrd, Fretwork | B♭ Major | 0 | 6B | 131 BPM |
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