"Alma Redemptoris Mater" by Hildegard von Bingen, Sequentia, Barbara Thornton was released on 1994. The duration of Alma Redemptoris Mater is about two minutes long, specifically at 2:09. This song does not appear to have any foul language. Alma Redemptoris Mater's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 91 in the song's album "Sequentia: Hildegard von Bingen". In this album, this song's track order is #5. Furthermore, we believe that the track originated from United States. Alma Redemptoris Mater is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Alma Redemptoris Mater by Hildegard von Bingen, Sequentia, Barbara Thornton having a BPM of 80 with a half-time of 40 BPM and a double-time of 160 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 5/4.
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Je me complains piteusement | Guillaume Dufay, Blue Heron, Scott Metcalfe | A Major | 0 | 11B | 75 BPM | ||
Repleti sunt | Jacobus Gallus, Pro Musica, Szabó Dénes | F Minor | 1 | 4A | 134 BPM | ||
Ego Flos Campi | Oxford Camerata, Jacob Clemens non Papa | F♯ Major | 0 | 2B | 139 BPM | ||
Troparion for Holy Wednesday | Kassia, Cappella Romana, members, Alexander Lingas | C Major | 1 | 8B | 137 BPM | ||
Introitus: Gaudeamus omnes in domino | Guillaume de Machaut, Ensemble Gilles Binchois, Dominique Vellard | E Major | 1 | 12B | 73 BPM | ||
We Praise Thee, O God No. 2 in F Major | Lege Artis Chamber Choir, Boris Abalyan | F♯ Minor | 1 | 11A | 133 BPM | ||
Ave cujus conceptio | Nicholas Ludford, Blue Heron, Scott Metcalfe | D Major | 2 | 10B | 133 BPM | ||
Frauenlob's Leich, oder der Guldin Fluegel: Ei, ich sach in dem trone | Heinrich von Meissen, Sequentia | E Minor | 2 | 9A | 111 BPM | ||
Ave Generosa | Hildegard von Bingen, Micaela Bottari, Olivia Dowden, Lucy Hole, Alex Meakem, Kate Miksits, Kamala Silvey, Danielle Verguldi, Camille Watson, James Jordan | G Minor | 0 | 6A | 87 BPM | ||
A Hymn to the Virgin | Benjamin Britten, Phoenix Chorale, Charles Bruffy, Kira Rugen, Amy Perciballi, Robert Comeaux, David Topping | E Major | 0 | 12B | 81 BPM |
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