"We Praise Thee, O God No. 2 in F Major" by Lege Artis Chamber Choir, Boris Abalyan was released on November 11, 2022. With We Praise Thee, O God No. 2 in F Major being less than two minutes long, at 1:14, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 17 in the song's album "Russia Liturgical Chants". In this album, this song's track order is #6. Furthermore, we believe that the track originated from Germany. Based on our statistics, We Praise Thee, O God No. 2 in F Major's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With We Praise Thee, O God No. 2 in F Major by Lege Artis Chamber Choir, Boris Abalyan having a BPM of 133 with a half-time of 66 BPM and a double-time of 266 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 5/4.
This song is in the music key of F♯ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pesnopeniya i molitvi (Canticles and Prayers): After the Resurrection: Glorification of the Mother of God | Georgy Sviridov, Ivanna Bondaruk, Credo Chamber Choir, Bogdan Plish | G Major | 0 | 9B | 132 BPM | ||
Alleluiarion - When the Glorious Disciples (Mode Pl. IV) | Holy Cross Greek Orthodox School of Theology St. Romanos the Melodist Byzantine Choir | D♭ Major | 3 | 3B | 90 BPM | ||
Maria Magdalene | Francisco Guerrero, The Rose Ensemble, Jordan Sramek | A Major | 2 | 11B | 86 BPM | ||
Io tacero (I fall silent) | Lege Artis Chamber Choir | C Major | 3 | 8B | 138 BPM | ||
Alleluya | Antoine Busnois, Capilla Flamenca | E♭ Major | 1 | 5B | 80 BPM | ||
Sanctus Benedictus | Probandi Benedittini Di San Giovanni In Parma | G Minor | 1 | 6A | 94 BPM | ||
Apostikha Doxastikhon (Tone 4) [Byzantine Chant] | St. Symeon Orthodox Church Choir | D Major | 1 | 10B | 74 BPM | ||
Na severe dikom (In the wild north) | Lege Artis Chamber Choir | G Minor | 2 | 6A | 106 BPM | ||
Exaudi, Deus, orationem meam in F Minor, IAG 39 | Giovanni Gabrieli, Pro Musica, Szabó Dénes | A Major | 1 | 11B | 100 BPM | ||
Bless the Lord - Tikhonovsky Chant | St. Tikhon's Monastery Choir | F♯ Major | 1 | 2B | 126 BPM |
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