Johann Walter, Harmonia Recorder Ensemble's 'Christ lag in Todesbanden' came out on August 17, 2018. With Christ lag in Todesbanden being less than two minutes long, at 1:12, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 25 in the song's album "Renaissance Consort Music, Vol. 1". In this album, this song's track order is #13. Based on our statistics, Christ lag in Todesbanden's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Christ lag in Todesbanden by Johann Walter, Harmonia Recorder Ensemble having a BPM of 138 with a half-time of 69 BPM and a double-time of 276 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 5/4.
This song is in the music key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Dame, ne regardes pas (Medieval Fiddles) | Guillaume de Machaut, Emmanuel Bonnardot, Radall Cook | E♭ Minor | 0 | 2A | 82 BPM | ||
Si du malheur | Orlande de Lassus, Ensemble Clément Janequin, Dominique Visse | E♭ Minor | 0 | 2A | 138 BPM | ||
Terpsichore*: Ballet | Michael Praetorius, Westra Aros Pipers, Bourrasque Ensemble, Bertil Färnlof | B♭ Major | 0 | 6B | 126 BPM | ||
My Lord Willoughby's welcome home | John Dowland, Trinity Baroque, Alan Crumpler, Martin Pope, Julian Podger, The Holbein Consort, Steven Player, The Forbury Consort | G Major | 0 | 9B | 133 BPM | ||
Sonata for Flute, Viola and Harp: II. Interlude | Claude Debussy, Jutta Zoff, Joachim Ulbrich, Johann Walter | B♭ Major | 1 | 6B | 183 BPM | ||
Canzon la Gentile | Giovanni Paolo Cima, Harmonia Recorder Ensemble | C Major | 0 | 8B | 70 BPM | ||
Terpsichore*: Ballet du Roy | Michael Praetorius, Westra Aros Pipers, Bourrasque Ensemble, Bertil Färnlof | G Minor | 1 | 6A | 98 BPM | ||
Missa prolationum, Kyrie: Kyrie eleison I | Johannes Ockeghem, The Hilliard Ensemble, Paul Hillier | E♭ Major | 1 | 5B | 67 BPM | ||
Romeo & Juliet, Op. 64 (Highlights Arr. L. Karlin for Trombone Ensemble): Introduction | Sergei Prokofiev, Trombone Unit Hannover, Yuval Wolfson, Martin Hennecke, Dominik Minsch, Johann Walter | C Major | 3 | 8B | 112 BPM | ||
Intermedes de Xerxes: Bourre pour les Basques | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | F♯ Major | 1 | 2B | 140 BPM |
Section: 1.1419782638549805
End: 1.1459496021270752