Stabat Mater: 11. Inflammatus - Giovanni Battista Pergolesi, Emma Kirkby, James Bowman, Academy of Ancient Music, Christopher Hogwood Information

Acousticness: 90%
Danceability: 45%
Energy: 11%
Instrumentalness: 0%
Liveness: 10%
Loudness: 65%
Speechiness: 4%
Valence: 40%
Popularity: 21%
Loudness: -20.931 dB

Summary

Giovanni Battista Pergolesi, Emma Kirkby, James Bowman, Academy of Ancient Music, Christopher Hogwood made "Stabat Mater: 11. Inflammatus" available on January 1, 1989. The duration of Stabat Mater: 11. Inflammatus is about two minutes long, specifically at 2:06. This song does not appear to have any foul language. Stabat Mater: 11. Inflammatus's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 17 in the song's album "Pergolesi: Stabat Mater; Salve Regina". In this album, this song's track order is #11. In terms of popularity, Stabat Mater: 11. Inflammatus is currently below average in popularity. Since there is more of a neutral sound being played, this makes the track somewhat danceable.

Stabat Mater: 11. Inflammatus BPM

With Stabat Mater: 11. Inflammatus by Giovanni Battista Pergolesi, Emma Kirkby, James Bowman, Academy of Ancient Music, Christopher Hogwood having a BPM of 102 with a half-time of 51 BPM and a double-time of 204 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.

Stabat Mater: 11. Inflammatus Key

This song is in the music key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Stabat Mater in F Minor, G. 532: I. Stabat Mater dolorosa. Grave assai	Luigi Boccherini, Núria Rial, Orchester Le Phenix	C Major	0	8B	104 BPM
Requiem, Op.48: 1. Introitus: Requiem aeternam - Kyrie	Gabriel Fauré, The Monteverdi Choir, Salisbury Cathedral Boy Choristers, Orchestre Révolutionnaire et Romantique, John Eliot Gardiner	B♭ Major	0	6B	74 BPM
Regina coeli in C, K.108	Wolfgang Amadeus Mozart, Emma Kirkby, Westminster Cathedral Choir, The Academy Of Ancient Music Chorus, Christopher Hogwood, Academy of Ancient Music	C Major	1	8B	136 BPM
Beatus vir: II. Exortum est	Domenico Zipoli, Florilegium, Bolivian Soloists	D♭ Minor	0	12A	135 BPM
Mass No. 2 in G Major, D. 167: Kyrie	Franz Schubert, Claudia Reinhard, Rüdiger Ballhorn, Markus Flaig, Immortal Bach Ensemble, Leipzig Chamber Orchestra, Morten Schuldt-Jensen	E Major	0	12B	76 BPM
Vespro della Beata Vergine, SV 206: VI. Laetatus sum a 6 - Live	Claudio Monteverdi, Ann Monoyios, Marinella Pennicchi, Mark Tucker, Nigel Robson, Alastair Miles, English Baroque Soloists, His Majestys Sagbutts & Cornetts, John Eliot Gardiner, The Monteverdi Choir	G Minor	1	6A	89 BPM
Pergolesi: Stabat Mater: I. Stabat Mater dolorosa	Giovanni Battista Pergolesi, Philippe Jaroussky, Julia Lezhneva, Diego Fasolis, I Barocchisti	E Minor	0	9A	138 BPM
Ohimè Ch'Io Cado (Libro Nono)	Jordi Savall, Claudio Monteverdi, Montserrat Figueras	F Major	2	7B	76 BPM
Quel Sguardo Sdegnosetto (Scherzi Musicali), 1632	Jordi Savall, Montserrat Figueras, Claudio Monteverdi	G Major	1	9B	87 BPM
Magnificat, Wq. 215: Magnificat, Wq. 215: 3. Arie. Quia fecit mihi magna (T)	Carl Philipp Emanuel Bach, Lothar Odinius, Akademie für Alte Musik Berlin, Hans-Christoph Rademann	F♯ Major	3	2B	139 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records

Section: 1.1495246887207031

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