"Mass No. 2 in G Major, D. 167: Kyrie" by Franz Schubert, Claudia Reinhard, Rüdiger Ballhorn, Markus Flaig, Immortal Bach Ensemble, Leipzig Chamber Orchestra, Morten Schuldt-Jensen was released on November 17, 2009. The duration of Mass No. 2 in G Major, D. 167: Kyrie is about 3 minutes long, at 3:01. Based on our data, "Mass No. 2 in G Major, D. 167: Kyrie" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 28 in the song's album "Schubert, F.: Masses Nos. 2 and 4 / Deutsche Messe". In this album, this song's track order is #11. Furthermore, we believe that the track originated from Hong Kong. Mass No. 2 in G Major, D. 167: Kyrie is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Mass No. 2 in G Major, D. 167: Kyrie by Franz Schubert, Claudia Reinhard, Rüdiger Ballhorn, Markus Flaig, Immortal Bach Ensemble, Leipzig Chamber Orchestra, Morten Schuldt-Jensen having a BPM of 76 with a half-time of 38 BPM and a double-time of 152 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
E Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ein deutsches Requiem (A German Requiem), Op. 45: VII. Selig sind die Toten | Johannes Brahms, Katherine Fuge, Matthew Brook, The Monteverdi Choir, Orchestre Révolutionnaire et Romantique, John Eliot Gardiner | F Major | 1 | 7B | 134 BPM | ||
Purcell : King Arthur : Act 5 "Fairest Isle" [Soprano] | William Christie | A♭ Major | 0 | 4B | 127 BPM | ||
An den Mond (Geuss, lieber Mond), D. 193 | Franz Schubert, Wolfgang Holzmair, Ulrich Eisenlohr | A♭ Major | 0 | 4B | 86 BPM | ||
Petite messe solennelle: Kyrie | Gioachino Rossini, Orchestre de chambre de Paris, Accentus, Ottavio Dantone | C Major | 0 | 8B | 120 BPM | ||
Piano Sonata No. 14 in A Minor, D. 784: III. Allegro vivace | Franz Schubert, Maria João Pires | C Major | 1 | 8B | 64 BPM | ||
Paulus: I. Teil: Nr. 19 Aria mit Chor B "Ich danke dir, Herr, mein Gott" | Felix Mendelssohn, Collegium Vocale Gent, Matthias Goerne, Philippe Herreweghe, La Chapelle Royale | G Major | 2 | 9B | 73 BPM | ||
Germanicus: Rimembranza crudel | Georg Philipp Telemann, Jeanine De Bique, Concerto Köln, Luca Quintavalle | D Major | 1 | 10B | 93 BPM | ||
Brahms: Ein deutsches Requiem, Op. 45: IV. "Wie lieblich sind deine Wohnungen" | Johannes Brahms, Berliner Philharmoniker/Sir Simon Rattle/Rundfunkchor Berlin/Simon Halsey/Dorothea Röschmann/Thomas Quasthoff, Sir Simon Rattle, Berliner Philharmoniker | E♭ Major | 1 | 5B | 67 BPM | ||
Cleofide: Act II Scene 4: Aria: Generoso rifuegliati, o core (Poro) | Johann Adolf Hasse, Emma Kirkby, Agnes Mellon, Randalk K. Wong, Derek Lee Ragin, Dominique Visse, David Cordier, Rheinische Kantorei, Cappella Coloniensis, William Christie | A♭ Major | 2 | 4B | 143 BPM | ||
Keyboard Concerto in D Minor, Wq. 23, H. 427: I. Allegro | Carl Philipp Emanuel Bach, Michael Rische, Leipzig Chamber Orchestra, Morten Schuldt-Jensen | D Minor | 2 | 7A | 133 BPM |
Section: 0.5303995609283447
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