"Germanicus: Rimembranza crudel" by Georg Philipp Telemann, Jeanine De Bique, Concerto Köln, Luca Quintavalle was released on October 22, 2021. Germanicus: Rimembranza crudel is about six minutes long, preciously at 6:09, making this song fairly long compared to other songs. The track order of this song in Jeanine De Bique, Concerto Köln, Luca Quintavalle's "Mirrors" album is number 5 out of 13. On top of that, Germany appears to be the country where this track was created. In terms of popularity, Germanicus: Rimembranza crudel is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Germanicus: Rimembranza crudel by Georg Philipp Telemann, Jeanine De Bique, Concerto Köln, Luca Quintavalle to be Andante (at a walking pace) because the track has a tempo of 93 BPM, a half-time of 46BPM, and a double-time of 186 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Overture (Suite) in G Minor, TWV 55:g4: III. Les Irresoluts | Georg Philipp Telemann, Cologne Chamber Orchestra, Helmut Muller-Bruhl | G Minor | 2 | 6A | 131 BPM | ||
Matthäus-Passion, BWV 244, Seconda parte: Nr.68. Chorus I & II "Wir setzen uns mit Tränen nieder" | Johann Sebastian Bach, Raphael Pichon, Ensemble Pygmalion | E♭ Minor | 1 | 2A | 86 BPM | ||
Gott hilf mir, denn das Wasser geht mir bis an die Seele, BuxWV 34: I. Sonata | Dietrich Buxtehude, Ensemble Masques, Olivier Fortin | C Minor | 0 | 5A | 148 BPM | ||
Stabat Mater: Cuius animam gementem…. O quam tristis | Agostino Steffani, Coro della Radiotelevisione Svizzera, Cecilia Bartoli, Franco Fagioli, Daniel Behle, I Barocchisti, Diego Fasolis | D Minor | 3 | 7A | 90 BPM | ||
Concerto in D Minor: II. Adagio | Alessandro Marcello, Omar Zoboli, Diego Fasolis | F♯ Major | 2 | 2B | 91 BPM | ||
Overture (Suite) in G Major, TWV 55:G10, "Burlesque de Quixotte": I. Ouverture | Georg Philipp Telemann, Northern Chamber Orchestra, Nicholas Ward | A Major | 2 | 11B | 110 BPM | ||
Zelenka: Barbara, dira effera, ZWV 164: I. Barbara, dira, effera | Jan Dismas Zelenka, Jakub Józef Orliński, Francesco Corti, Il Pomo D'oro | E Major | 5 | 12B | 121 BPM | ||
Serse, HWV 40 / Act 1: "Ombra mai fu" | Franco Fagioli, Il Pomo D'oro, Zefira Valova | E Major | 2 | 12B | 152 BPM | ||
Salomone amante: Partite dolori (Duetto) | Giovanni Paolo Colonna, Núria Rial, Valer Sabadus | F♯ Minor | 0 | 11A | 60 BPM | ||
Le Nozze di Figaro, K. 492: Atto primo. Scena 5. Recitativo Susanna, Cherubino "Va là, vecchia pedante" | Wolfgang Amadeus Mozart, Angelika Kirchschlager, Concerto Köln, Patrizia Ciofi, René Jacobs | A Minor | 1 | 8A | 99 BPM |
Section: 0.6098802089691162
End: 0.6133496761322021