"Salomone amante: Partite dolori (Duetto)" by Giovanni Paolo Colonna, Núria Rial, Valer Sabadus was released on January 6, 2017. The duration of Salomone amante: Partite dolori (Duetto) is about two minutes long, specifically at 2:53. This song does not appear to have any foul language. Salomone amante: Partite dolori (Duetto)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 15 in the song's album "Sacred Duets". In this album, this song's track order is #3. Salomone amante: Partite dolori (Duetto) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Salomone amante: Partite dolori (Duetto) by Giovanni Paolo Colonna, Núria Rial, Valer Sabadus having a BPM of 60 with a half-time of 30 BPM and a double-time of 120 BPM, we would consider this track to have a Lento (slowly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of F♯ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Salir el amor del mundo: Sosieguen, descansen | Sebastián Durón, Núria Rial, Fahmi Alqhai | E♭ Minor | 2 | 2A | 99 BPM | ||
A voi prati felici, SelM A4: IV. Perchè non dirmi, o fior (Aria) | Benedetto Marcello, La Floridiana, Nicoleta Paraschivescu, Núria Rial | F♯ Major | 3 | 2B | 97 BPM | ||
Telemann: Jesus liegt in letzten Zügen, TWV 1:983: No. 3, Arie. "Mein liebster Heiland" | Georg Philipp Telemann, Philippe Jaroussky, Petra Mullejans, Freiburger Barockorchester | A♭ Major | 0 | 4B | 83 BPM | ||
Magnificat in B flat major: Sicut erat in principio | Francesco Durante, Thomas Hengelbrock | A Major | 2 | 11B | 125 BPM | ||
Mondonville : In exitu Israel : "Jordanis conversus est retrorsum" | Jean-Joseph Cassanéa De Mondonville, William Christie, Les Arts Florissants | F Minor | 4 | 4A | 144 BPM | ||
Pastorella che tra le selve | Giovanni Bononcini, Núria Rial, Fahmi Alqhai | F♯ Major | 3 | 2B | 118 BPM | ||
Cavalli / Arr Pluhar: La Calisto, Act 1: "Piante ombrose" | Francesco Cavalli, Christina Pluhar, L'Arpeggiata | C Major | 1 | 8B | 91 BPM | ||
Komm Schlaf (from "Germanicus") | Georg Philipp Telemann, Núria Rial, Julia Schröder | D♭ Major | 1 | 3B | 86 BPM | ||
Ave maris stella: VIII. Sit laus Deo Patri. Amen | Francisco Guerrero, Núria Rial | C Minor | 0 | 5A | 89 BPM | ||
Sartorio: L'Orfeo, Act 3: "Orfeo tu dormi?" (Euridice) | Antonio Sartorio, Philippe Jaroussky, Emőke Baráth, Diego Fasolis, I Barocchisti | B Major | 1 | 1B | 84 BPM |
Section: 0.6563246250152588
End: 0.660071611404419