"Telemann: Jesus liegt in letzten Zügen, TWV 1:983: No. 3, Arie. "Mein liebster Heiland"" by Georg Philipp Telemann, Philippe Jaroussky, Petra Mullejans, Freiburger Barockorchester was released on October 7, 2016. With this song being about 5 minutes long, at 4:56, "Telemann: Jesus liegt in letzten Zügen, TWV 1:983: No. 3, Arie. "Mein liebster Heiland"" by Georg Philipp Telemann, Philippe Jaroussky, Petra Mullejans, Freiburger Barockorchester is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 19 out of 21 in Bach & Telemann: Sacred Cantatas by Philippe Jaroussky. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Telemann: Jesus liegt in letzten Zügen, TWV 1:983: No. 3, Arie. "Mein liebster Heiland" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Telemann: Jesus liegt in letzten Zügen, TWV 1:983: No. 3, Arie. "Mein liebster Heiland" by Georg Philipp Telemann, Philippe Jaroussky, Petra Mullejans, Freiburger Barockorchester is Andante (at a walking pace), since this song has a tempo of 83 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Suite in G minor: IV. Bourree II (Arr. A. Camden) | George Frideric Handel, Anthony Camden, Julia Girdwood, City of London Sinfonia, Nicholas Ward | C Minor | 1 | 5A | 114 BPM | ||
Deborah, HWV 51: Part I: Chorus - Let thy deeds be glorious | George Frideric Handel, Natacha Ducret, Elisabeth Scholl, Ewa Wolak, Lawrence Zazzo, Junge Kantorei, Frankfurt Baroque Orchestra, Joachim Carlos Martini | A Minor | 0 | 8A | 172 BPM | ||
Merope: Si, traditor tu sei | Riccardo Broschi, Cecilia Bartoli, Il Giardino Armonico, Giovanni Antonini | D Major | 5 | 10B | 77 BPM | ||
Cavalli: L'Ormindo, Act 2: "Che città" (Nerillo) | Francesco Cavalli, Philippe Jaroussky | G Major | 2 | 9B | 70 BPM | ||
Anonymous / Foggia: O quam clemens et pia, a 2 | Anonymus, Francesco Foggia, Philippe Jaroussky, Jean Tubéry | D Minor | 0 | 7A | 69 BPM | ||
Requiem in D Minor, K. 626 (Süssmayr - Dutron 2016 completion): II. Sequentia - Recordare | Wolfgang Amadeus Mozart, Freiburger Barockorchester, Johannes Weisser, Sophie Karthäuser, Marie-Claude Chappuis, Maximilian Schmitt, René Jacobs | F Major | 1 | 7B | 83 BPM | ||
Concerto Grosso In D Major, Op. 6, No. 1 : V. Largo | Arcangelo Corelli, Quido Holbling, Daniela Ruso, Ludovit Kanta, Anna Holbling, Capella Istropolitana | B Minor | 1 | 10A | 87 BPM | ||
Concerto for Recorder and Flute in E Minor, TWV 52:e1: Largo | Georg Philipp Telemann, Daniel Rothert, Elke Martha Umbach, Cologne Chamber Orchestra, Helmut Muller-Bruhl | B Minor | 3 | 10A | 145 BPM | ||
Steffani: Niobe, regina di Tebe, Act 1: "Dell'alma stanca" (Anfione) | Agostino Steffani, Philippe Jaroussky, Stephen Stubbs, Boston Early Music Festival Orchestra | E♭ Major | 0 | 5B | 94 BPM | ||
Amarilli mia bella | Giulio Caccini, Andreas Scholl, Edin Karamazov | E Major | 0 | 12B | 91 BPM |
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