Telemann: Jesus liegt in letzten Zügen, TWV 1:983: No. 3, Arie. "Mein liebster Heiland"
Georg Philipp Telemann, Philippe Jaroussky, Petra Mullejans, Freiburger Barockorchester
Bach & Telemann: Sacred Cantatas
4:56 October 7, 2016
BPM
83
Key
A♭ Major
Camelot
4B

Embed

Share Link

Telemann: Jesus liegt in letzten Zügen, TWV 1:983: No. 3, Arie. "Mein liebster Heiland" - Georg Philipp Telemann, Philippe Jaroussky, Petra Mullejans, Freiburger Barockorchester Information

Acousticness
99%
Danceability
23%
Energy
3%
Instrumentalness
0%
Liveness
10%
Loudness
67%
Speechiness
5%
Valence
18%
Popularity
Loudness
-19.836 dB

Summary

"Telemann: Jesus liegt in letzten Zügen, TWV 1:983: No. 3, Arie. "Mein liebster Heiland"" by Georg Philipp Telemann, Philippe Jaroussky, Petra Mullejans, Freiburger Barockorchester was released on October 7, 2016. With this song being about 5 minutes long, at 4:56, "Telemann: Jesus liegt in letzten Zügen, TWV 1:983: No. 3, Arie. "Mein liebster Heiland"" by Georg Philipp Telemann, Philippe Jaroussky, Petra Mullejans, Freiburger Barockorchester is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 19 out of 21 in Bach & Telemann: Sacred Cantatas by Philippe Jaroussky. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Telemann: Jesus liegt in letzten Zügen, TWV 1:983: No. 3, Arie. "Mein liebster Heiland" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Telemann: Jesus liegt in letzten Zügen, TWV 1:983: No. 3, Arie. "Mein liebster Heiland" BPM

The tempo marking of Telemann: Jesus liegt in letzten Zügen, TWV 1:983: No. 3, Arie. "Mein liebster Heiland" by Georg Philipp Telemann, Philippe Jaroussky, Petra Mullejans, Freiburger Barockorchester is Andante (at a walking pace), since this song has a tempo of 83 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.

Telemann: Jesus liegt in letzten Zügen, TWV 1:983: No. 3, Arie. "Mein liebster Heiland" Key

This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Suite in G minor: IV. Bourree II (Arr. A. Camden) by George Frideric Handel, Anthony Camden, Julia Girdwood, City of London Sinfonia, Nicholas WardSuite in G minor: IV. Bourree II (Arr. A. Camden)George Frideric Handel, Anthony Camden, Julia Girdwood, City of London Sinfonia, Nicholas WardC Minor15A114 BPM
Deborah, HWV 51: Part I: Chorus - Let thy deeds be glorious by George Frideric Handel, Natacha Ducret, Elisabeth Scholl, Ewa Wolak, Lawrence Zazzo, Junge Kantorei, Frankfurt Baroque Orchestra, Joachim Carlos MartiniDeborah, HWV 51: Part I: Chorus - Let thy deeds be gloriousGeorge Frideric Handel, Natacha Ducret, Elisabeth Scholl, Ewa Wolak, Lawrence Zazzo, Junge Kantorei, Frankfurt Baroque Orchestra, Joachim Carlos MartiniA Minor08A172 BPM
Merope: Si, traditor tu sei by Riccardo Broschi, Cecilia Bartoli, Il Giardino Armonico, Giovanni AntoniniMerope: Si, traditor tu seiRiccardo Broschi, Cecilia Bartoli, Il Giardino Armonico, Giovanni AntoniniD Major510B77 BPM
Cavalli: L'Ormindo, Act 2: Cavalli: L'Ormindo, Act 2: "Che città" (Nerillo)Francesco Cavalli, Philippe JarousskyG Major29B70 BPM
Anonymous / Foggia: O quam clemens et pia, a 2 by Anonymus, Francesco Foggia, Philippe Jaroussky, Jean TubéryAnonymous / Foggia: O quam clemens et pia, a 2Anonymus, Francesco Foggia, Philippe Jaroussky, Jean TubéryD Minor07A69 BPM
Requiem in D Minor, K. 626 (Süssmayr - Dutron 2016 completion): II. Sequentia - Recordare by Wolfgang Amadeus Mozart, Freiburger Barockorchester, Johannes Weisser, Sophie Karthäuser, Marie-Claude Chappuis, Maximilian Schmitt, René JacobsRequiem in D Minor, K. 626 (Süssmayr - Dutron 2016 completion): II. Sequentia - RecordareWolfgang Amadeus Mozart, Freiburger Barockorchester, Johannes Weisser, Sophie Karthäuser, Marie-Claude Chappuis, Maximilian Schmitt, René JacobsF Major17B83 BPM
Concerto Grosso In D Major, Op. 6, No. 1 : V. Largo by Arcangelo Corelli, Quido Holbling, Daniela Ruso, Ludovit Kanta, Anna Holbling, Capella IstropolitanaConcerto Grosso In D Major, Op. 6, No. 1 : V. LargoArcangelo Corelli, Quido Holbling, Daniela Ruso, Ludovit Kanta, Anna Holbling, Capella IstropolitanaB Minor110A87 BPM
Concerto for Recorder and Flute in E Minor, TWV 52:e1: Largo by Georg Philipp Telemann, Daniel Rothert, Elke Martha Umbach, Cologne Chamber Orchestra, Helmut Muller-BruhlConcerto for Recorder and Flute in E Minor, TWV 52:e1: LargoGeorg Philipp Telemann, Daniel Rothert, Elke Martha Umbach, Cologne Chamber Orchestra, Helmut Muller-BruhlB Minor310A145 BPM
Steffani: Niobe, regina di Tebe, Act 1: Steffani: Niobe, regina di Tebe, Act 1: "Dell'alma stanca" (Anfione)Agostino Steffani, Philippe Jaroussky, Stephen Stubbs, Boston Early Music Festival OrchestraE♭ Major05B94 BPM
Amarilli mia bella by Giulio Caccini, Andreas Scholl, Edin KaramazovAmarilli mia bellaGiulio Caccini, Andreas Scholl, Edin KaramazovE Major012B91 BPM
ISRC
GBAYC1600570
Label
L-M Records/RCA Records

Section: 0.5369417667388916

End: 0.5403773784637451