"Deborah, HWV 51: Part I: Chorus - Let thy deeds be glorious" by George Frideric Handel, Natacha Ducret, Elisabeth Scholl, Ewa Wolak, Lawrence Zazzo, Junge Kantorei, Frankfurt Baroque Orchestra, Joachim Carlos Martini was released on March 1, 2002. The duration of Deborah, HWV 51: Part I: Chorus - Let thy deeds be glorious is about 3 minutes long, at 3:25. Based on our data, "Deborah, HWV 51: Part I: Chorus - Let thy deeds be glorious" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in George Frideric Handel's "Handel: Deborah" album is number 22 out of 74. On top of that, Hong Kong appears to be the country where this track was created. The popularity of Deborah, HWV 51: Part I: Chorus - Let thy deeds be glorious is currently below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Deborah, HWV 51: Part I: Chorus - Let thy deeds be glorious by George Frideric Handel, Natacha Ducret, Elisabeth Scholl, Ewa Wolak, Lawrence Zazzo, Junge Kantorei, Frankfurt Baroque Orchestra, Joachim Carlos Martini to be Vivace (lively and fast) because the track has a tempo of 172 BPM, a half-time of 86BPM, and a double-time of 344 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 4/4.
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Te Deum, H. 146: Te Deum, H. 146: II. Te Deum laudamus | Marc-Antoine Charpentier, Bernard Deletré, Les Arts Florissants, William Christie | D♭ Major | 1 | 3B | 84 BPM | ||
Wachet auf, ruft uns die Stimme, Cantata BWV 140: I. "Wachet auf, ruft uns die Stimme" | Johann Sebastian Bach, Münchener Bach-Orchester, Karl Richter, Münchener Bach-Chor | E♭ Major | 2 | 5B | 64 BPM | ||
Concerto Grosso In D Major, Op. 6, No. 1 : VI. Allegro | Arcangelo Corelli, Anna Holbling, Quido Holbling, Daniela Ruso, Ludovit Kanta, Capella Istropolitana | D Major | 3 | 10B | 126 BPM | ||
Mass No. 7 in B-Flat Major, Hob. XXII:7, "Missa brevis Sancti Joannis de Deo", "Kleine Orgelsolomesse" (Little Organ Mass): Kyrie | Joseph Haydn, Ann Hoyt, Trinity Church Choir, New York, Dongsok Shin, Rebel Baroque Orchestra, Owen Burdick | B♭ Major | 2 | 6B | 99 BPM | ||
Vincesti pur vincesti: No. 4, Piangi Roma | Francesco Durante, Unknown, Lawrence Zazzo, Tercia Realidad | D♭ Minor | 0 | 12A | 175 BPM | ||
Dido and Aeneas / Act 1: "Shake the cloud from off your brow" | Henry Purcell, Marie McLaughlin, English Chamber Orchestra Chorus, English Chamber Orchestra, Raymond Leppard | C Minor | 1 | 5A | 103 BPM | ||
Suite From Abdelzar: VI. Air | Henry Purcell, Tafelmusik Baroque Orchestra, Jeanne Lamon | F♯ Minor | 2 | 11A | 101 BPM | ||
Stabat Mater in F Minor: XI. Inflammatus et accensus | Giovanni Battista Pergolesi, Angharad Gruffydd Jones, Lawrence Zazzo, Cambridge Soloists, Timothy Brown | A Major | 0 | 11B | 108 BPM | ||
Trumpet Sonata in D Major, Z. 850: I. Allegro | Henry Purcell, Ede Inhoff, Hungarian State Opera Chamber Orchestra | E♭ Minor | 0 | 2A | 83 BPM | ||
Stabat Mater in F Minor: VII. Eja mater fons amoris | Giovanni Battista Pergolesi, Angharad Gruffydd Jones, Lawrence Zazzo, Cambridge Soloists, Timothy Brown | E♭ Minor | 0 | 2A | 172 BPM |
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