Henry Purcell, Tafelmusik Baroque Orchestra, Jeanne Lamon made "Suite From Abdelzar: VI. Air" available on April 9, 2002. With Suite From Abdelzar: VI. Air being less than two minutes long, at 1:25, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 10 out of 24 in A Baroque Feast by Tafelmusik Baroque Orchestra, Jeanne Lamon. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, Suite From Abdelzar: VI. Air is currently below average in popularity. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Suite From Abdelzar: VI. Air by Henry Purcell, Tafelmusik Baroque Orchestra, Jeanne Lamon is Andante (at a walking pace), since this song has a tempo of 101 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Brandenburg Concerto No. 2 in F Major, BWV 1047: III. Allegro assai | Johann Sebastian Bach, Tafelmusik Baroque Orchestra | B♭ Major | 1 | 6B | 136 BPM | ||
Sinfonia in A Major: III. Presto assai | Giovanni Battista Sammartini, Capella Istropolitana, Jaroslav Krcek | A Major | 3 | 11B | 113 BPM | ||
Dido and Aeneas / Act 3: "With drooping wings" | Henry Purcell, The St. Anthony Singers, English Chamber Orchestra, Thurston Dart, Anthony Lewis | G Minor | 0 | 6A | 131 BPM | ||
Amphitryon, Z. 572, "The 2 Sosias": VII. Hornpipe | Henry Purcell, Andrea Jeffrey, Michelle Kettrick, Nicole Bower, Giles Tomkins, Aradia Ensemble, Kevin Mallon | D♭ Minor | 2 | 12A | 138 BPM | ||
Suite From Abdelzar: IV. Jig | Henry Purcell, Tafelmusik Baroque Orchestra, Jeanne Lamon | F♯ Minor | 1 | 11A | 91 BPM | ||
Concerto a 5 in G Major, Op. 9, No. 6: II. Adagio non troppo | Tomaso Albinoni, Anthony Camden, Alison Alty, London Virtuosi, John Georgiadis | E Minor | 2 | 9A | 83 BPM | ||
Gloria in excelsis Deo, BWV 191: Duet: Gloria Patri et Filio et Spiritui sancto | Johann Sebastian Bach, Ann Monoyios, Colin Ainsworth, Tafelmusik Baroque Orchestra, Ivars Taurins | D♭ Major | 2 | 3B | 86 BPM | ||
Partie (Suite) in G Major: II. Allemande | Johann Pachelbel, Henk Bouman, Musica Antiqua Köln, Reinhard Goebel | F♯ Major | 1 | 2B | 76 BPM | ||
Suite from Il Pastor Fido, HWV 8c (Version II from 1734): Overture | George Frideric Handel, Jeanne Lamon, Tafelmusik Baroque Orchestra | E Major | 2 | 12B | 122 BPM | ||
Intermedes de Xerxes: Ouverture | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | F♯ Major | 0 | 2B | 98 BPM |
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