George Frideric Handel, Jeanne Lamon, Tafelmusik Baroque Orchestra's 'Suite from Il Pastor Fido, HWV 8c (Version II from 1734): Overture' came out on 1996. With this song being around four minutes long, at 3:46, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in George Frideric Handel, Tafelmusik Baroque Orchestra's "Händel: Water Music, HWV 348-350 & Suite from Il pastor fido, HWV 8c" album is number 19 out of 29. Based on our statistics, Suite from Il Pastor Fido, HWV 8c (Version II from 1734): Overture's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Suite from Il Pastor Fido, HWV 8c (Version II from 1734): Overture by George Frideric Handel, Jeanne Lamon, Tafelmusik Baroque Orchestra to be Allegro (fast, quick, and bright) because the track has a tempo of 122 BPM, a half-time of 61BPM, and a double-time of 244 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto Grosso in D Major, Op. 2, No. 4: III. Adagio | Francesco Geminiani, Tafelmusik Baroque Orchestra, Jeanne Lamon | B♭ Minor | 1 | 3A | 76 BPM | ||
Concerto Grosso in D Major, Op. 1, No. 9: IV. Sarabanda: Largo | Pietro Locatelli, Capella Istropolitana, Jaroslav Krcek | B Minor | 1 | 10A | 116 BPM | ||
Suite in G minor: IV. Bourree II (Arr. A. Camden) | George Frideric Handel, Anthony Camden, Julia Girdwood, City of London Sinfonia, Nicholas Ward | C Minor | 1 | 5A | 114 BPM | ||
Concerto 6 in A Major, Op. 7: III. Giga allegro | Jean-Marie Leclair, Luis Otavio Santos, Les Muffatti, Peter Van Heyghen | A♭ Major | 3 | 4B | 123 BPM | ||
Flute Concerto in C Minor, QV 5:38: II. Lento | Johann Joachim Quantz, Mary Oleskiewicz, Concerto Armonico Budapest, Miklós Spányi | E♭ Minor | 0 | 2A | 140 BPM | ||
Concerto for Violoncello and Orchestra in D major: III. Larghetto, con poco moto | Leonardo Leo, Sol Gabetta, Andrés Gabetta | B Minor | 0 | 10A | 77 BPM | ||
Intermedes de Xerxes: Bourre pour les Basques | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | F♯ Major | 1 | 2B | 140 BPM | ||
Concerto a 5 in C Major, Op. 9, No. 9: I. Allegro | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | C Major | 3 | 8B | 107 BPM | ||
Symphony No. 4 in C Major: I. Allegro | Franz Xaver Richter, Helsinki Baroque Orchestra, Aapo Häkkinen | B Major | 1 | 1B | 124 BPM | ||
Oboe Concerto in C Major (after Cimarosa's Keyboard Sonatas): IV. Allegro giusto | Arthur Benjamin, Anthony Camden, City of London Sinfonia, Nicholas Ward | C Major | 0 | 8B | 97 BPM |
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