Arthur Benjamin, Anthony Camden, City of London Sinfonia, Nicholas Ward made "Oboe Concerto in C Major (after Cimarosa's Keyboard Sonatas): IV. Allegro giusto" available on November 19, 1996. The duration of Oboe Concerto in C Major (after Cimarosa's Keyboard Sonatas): IV. Allegro giusto is about two minutes long, specifically at 2:42. This song does not appear to have any foul language. Oboe Concerto in C Major (after Cimarosa's Keyboard Sonatas): IV. Allegro giusto's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in City of London Sinfonia's "Italian Oboe Concertos, Vol. 1" album is number 4 out of 18. On top of that, Hong Kong appears to be the country where this track was created. In terms of popularity, Oboe Concerto in C Major (after Cimarosa's Keyboard Sonatas): IV. Allegro giusto is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Oboe Concerto in C Major (after Cimarosa's Keyboard Sonatas): IV. Allegro giusto by Arthur Benjamin, Anthony Camden, City of London Sinfonia, Nicholas Ward to be Andante (at a walking pace) because the track has a tempo of 97 BPM, a half-time of 48BPM, and a double-time of 194 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 1/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto in G Minor: III. Allegro | Johann Friedrich Fasch, Combattimento Consort Amsterdam, Han De Vries | G Minor | 1 | 6A | 136 BPM | ||
Trio Sonata for 2 Oboes and Continuo in A, Op. 5, No. 1, HWV 396: 4. Gavotte (Allegro) | George Frideric Handel, Celia Nicklin, Neil Black, George Malcolm, Graham Sheen, Academy of St. Martin in the Fields | B Minor | 1 | 10A | 78 BPM | ||
Concerto Grosso In F Major, Op. 6, No. 2: III. Grave - Andante Largo | Arcangelo Corelli, Anna Holbling, Daniela Ruso, Ludovit Kanta, Quido Holbling, Capella Istropolitana | F Major | 1 | 7B | 168 BPM | ||
Concerto Grosso in D Minor, Op. 2, No. 5: II. Allegro | Francesco Geminiani, Capella Istropolitana, Jaroslav Krcek | D Minor | 2 | 7A | 110 BPM | ||
Oboe Concerto in C Major, Op. 9, No. 5: III. Allegro | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | C Major | 3 | 8B | 103 BPM | ||
Instrumental Music from Dioclesian, Z. 627: 2. Preludio | Henry Purcell, Jeanne Lamon, Tafelmusik Baroque Orchestra | B Minor | 0 | 10A | 114 BPM | ||
Symphony No. 5 in C Major: II. Andante | Franz Xaver Richter, Helsinki Baroque Orchestra, Aapo Häkkinen | D Major | 1 | 10B | 78 BPM | ||
Oboe Concerto No. 2 in B-Flat Major, HWV 302a: III. Andante | George Frideric Handel, Anthony Camden, City of London Sinfonia, Nicholas Ward | B♭ Major | 1 | 6B | 59 BPM | ||
Pars III In A Minor: III. Aria (Biber) | Heinrich Ignaz Franz von Biber, Masques, Olivier Fortin | A♭ Minor | 2 | 1A | 65 BPM | ||
Concerto for Violoncello and Orchestra in D major: III. Larghetto, con poco moto | Leonardo Leo, Sol Gabetta, Andrés Gabetta | B Minor | 0 | 10A | 77 BPM |
Section: 0.6290411949157715
End: 0.6327033042907715