Henry Purcell, Jeanne Lamon, Tafelmusik Baroque Orchestra made "Instrumental Music from Dioclesian, Z. 627: 2. Preludio" available on 1995. With Instrumental Music from Dioclesian, Z. 627: 2. Preludio being less than two minutes long, at 1:57, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 50 in the song's album "Purcell: Ayres for the Theatre". In this album, this song's track order is #2. In terms of popularity, Instrumental Music from Dioclesian, Z. 627: 2. Preludio is currently below average in popularity. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Instrumental Music from Dioclesian, Z. 627: 2. Preludio by Henry Purcell, Jeanne Lamon, Tafelmusik Baroque Orchestra having a BPM of 114 with a half-time of 57 BPM and a double-time of 228 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
This song is in the music key of B Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Indian Queen, Z. 630 : Act III - Third Act Tune (Rondeau) | The Scholars Baroque Ensemble, John Dryden, Henry Purcell | A♭ Major | 0 | 4B | 114 BPM | ||
Suite No.3 in D Major [BMW 1068] - Gavotte I & II | Johann Sebastian Bach, Tafelmusik Baroque Orchestra | D♭ Major | 2 | 3B | 85 BPM | ||
Brandenburg Concerto No. 4 in G Major, BWV 1049: III. Presto | Johann Sebastian Bach, Tafelmusik Baroque Orchestra | A♭ Major | 0 | 4B | 135 BPM | ||
Harmonia artificioso - ariosa: Partia V in G Minor, Intrada - Alla breve | Heinrich Ignaz Franz von Biber, Tafelmusik Baroque Orchestra, Jeanne Lamon | D♭ Major | 0 | 3B | 144 BPM | ||
San Francesco di Sales: Sinfonia | Francesco Feo, Stuttgart Chamber Orchestra, Fabio Biondi | D Major | 1 | 10B | 137 BPM | ||
Ode for St. Cecilia's Day, HWV 76: Overture | George Frideric Handel, Dorothee Mields, Mark Wilde, Alsfelder Vocal Ensemble, Concerto Polacco, Wolfgang Helbich | A♭ Minor | 0 | 1A | 96 BPM | ||
Flute Concerto No. 3 in C Major: III. Allegro assai | Frederick the Great, Konrad Hünteler, Cappella Coloniensis, Ulf Bjorlin | B Major | 1 | 1B | 129 BPM | ||
Overture (Suite) In G Minor, TWV 55: G4: VI. Gasconnade | Cologne Chamber Orchestra, Georg Philipp Telemann | G Minor | 4 | 6A | 146 BPM | ||
Amphitryon, Z. 572, "The 2 Sosias": V. Air | Henry Purcell, Andrea Jeffrey, Michelle Kettrick, Nicole Bower, Giles Tomkins, Aradia Ensemble, Kevin Mallon | F♯ Minor | 2 | 11A | 91 BPM | ||
Dido and Aeneas / Act 3: But death...When I am laid...With drooping wings... | Henry Purcell, Dame Janet Baker, The St. Anthony Singers, English Chamber Orchestra, Anthony Lewis | G Minor | 1 | 6A | 75 BPM |
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