Francesco Geminiani, Capella Istropolitana, Jaroslav Krcek made "Concerto Grosso in D Minor, Op. 2, No. 5: II. Allegro" available on February 4, 1997. The duration of Concerto Grosso in D Minor, Op. 2, No. 5: II. Allegro is about two minutes long, specifically at 2:47. This song does not appear to have any foul language. Concerto Grosso in D Minor, Op. 2, No. 5: II. Allegro's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Francesco Geminiani's "Geminiani: Concerti Grossi, Vol. 1" album is number 17 out of 38. In terms of popularity, Concerto Grosso in D Minor, Op. 2, No. 5: II. Allegro is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Concerto Grosso in D Minor, Op. 2, No. 5: II. Allegro by Francesco Geminiani, Capella Istropolitana, Jaroslav Krcek to be Moderato (at a moderate speed) because the track has a tempo of 110 BPM, a half-time of 55BPM, and a double-time of 220 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
D Minor is the music key of this track. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pieces de clavecin en concerts: Concert No. 1 in C Minor: I. La Coulicam (Rondement) | Jean-Philippe Rameau, London Baroque | C Minor | 5 | 5A | 155 BPM | ||
Concerto in C Major for Two Oboes and Strings, Op. 7 No. 2: I. Allegro | Tomaso Albinoni, Stefan Schilli, Giovanni Deangeli, Stuttgart Kammerorchester, Nicol Matt | C Major | 3 | 8B | 105 BPM | ||
Sonata a 5 in G Minor, Op. 2, No. 6: IV. Allegro | Tomaso Albinoni, Capella Istropolitana, Jaroslav Krcek | G Minor | 3 | 6A | 59 BPM | ||
Concerto for 2 Oboes in D Major, Op. 7, No. 8: II. Largo | Tomaso Albinoni, Anthony Camden, Alison Alty, London Virtuosi, John Georgiadis | B Minor | 1 | 10A | 145 BPM | ||
Sonata for 2 Recorders and Basso Continuo in D Minor: II. Allegro | Giovanni Battista Sammartini, Dan Laurin, Parnassus Avenue | D♭ Minor | 0 | 12A | 140 BPM | ||
Sinfonia in A Major: III. Presto assai | Giovanni Battista Sammartini, Capella Istropolitana, Jaroslav Krcek | A Major | 3 | 11B | 113 BPM | ||
Sonata In D For Violin And Continuo: Allegro | Johann Georg Pisendel, La Serenissima, Adrian Chandler, violin | D Major | 4 | 10B | 131 BPM | ||
12 Concerti grossi After Corelli, No. 4 in F Major, H. 135: II. Allegro | Francesco Geminiani, Boston Baroque, Martin Pearlman | D♭ Minor | 1 | 12A | 132 BPM | ||
Concerto for 2 Oboes in C Major, Op. 7, No. 2: I. Allegro | Tomaso Albinoni, Anthony Camden, Alison Alty, London Virtuosi, John Georgiadis | C Major | 3 | 8B | 102 BPM | ||
Concerto 4 in F Major, Op. 7: I. Allegro moderato | Jean-Marie Leclair, Luis Otavio Santos, Les Muffatti, Peter Van Heyghen | D♭ Minor | 3 | 12A | 95 BPM |
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